News, Nuggets & Longreads 11 November 2017: Morrison’s, Magic Lanterns, Mental Health

Here’s all the news, opinion and pondering on pubs and beer that’s seized our attention in the last week, from old London pubs to Mishing rice beer.

First up, from Richard Coldwell at Beer Leeds, what we think counts as a scoop: a branch of the Morrison’s supermarket near him has installed a cask ale line in its cafe. Supermarket cafes are one down the rung from Wetherspoon pubs in terms of hipness but are, at the same time, extremely popular, offering competitively priced, unpretentious meals. Adding draught beer to the mix is an interesting if unexpected move. “I wonder how long it will take before a supermarket café gets in the Good Beer Guide?” Richard asks.


Pub interior.
The Widow’s Son, Bow.

The always absorbing Spitalfields Life has another huge gallery of archive photographs of London pubs, this time sourced from a newly digitised collection of glass slides once used to give ‘magic lantern shows’ at the Bishopsgate Institute.

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Dead Fox

From the Western Daily Press, 8 October 1975:

The Old Fox, Bristol’s newest old pub or oldest new pub, will be officially opened this afternoon, but the trouble is no one knows exactly how old it is… The people from CAMRA, the Campaign for Real Ale, whose laudable ambition is to keep alive the taste for beer from the wood, bought The Old Fox in Fox Road, Eastville, when it was due for demolition… And so far they have traced it back to 1758 when it was mentioned as being up for sale.

Landlord Peter Bull… with his wife Sylvia will be serving devotees with pints of strange sounding brews like Six X, Brakspears beers and South Wales United… Architect Edward Potter has created a pleasantly archaic black and white interior, a world away from rustic brick and plastic horse brasses and workmen put the final touches to his £25,000 renovation scheme yesterday.

Peter Bull.

From ‘All Things to All Men’, Financial Times, 7 April 1976:

The Old Fox, overlooking a dual-carriageway cut and a scrap-yard, may not be everyone’s idea of smart pub decor, but at least it is worth it for the quality of some of the beer it sells. It also reflects some of the tolerance traditionally shown in this most tolerant of cities.



From What’s Brewing, February 1982:

[The] Old Fox Inn in Bristol, one of [CAMRA Investments] smaller and less profitable houses, has been sold to Burton brewers Marstons for £120,000. It was felt to be badly sited in a city had many free houses… Investments managing director, Christopher Hutt, denied suggestions that the company was deliberately drawing back from being a national chain of free houses into a South East/East Anglia/East Midlands firm.


You can read more about the story of CAMRA Real Ale Investments in Brew Britannia and about the history of the Old Fox in this blog post by pub historian Andrew Swift.

Photography in the Pub

In some ways we’re in a golden age for pub photography as almost everyone now has a relatively powerful camera on their phone, but just because it’s easy doesn’t mean it’s simple.

Historically, photos of pubs tend to be of the exteriors. That’s partly because of the availability of lights, partly because the exteriors were highly decorated, and also perhaps because drinking has been, and maybe still is, a somewhat furtive activity.

There is the odd historic interior shot, more often than not taken by brewery photographers to document the decor, and thus usually eerily empty. But this one from c.1915, a favourite of ours, is an exception:

Interior of a London pub c.1915.Even there, though, it’s obvious they’ve been told to sit very still and not to smile so it hardly looks natural. Things start to get really good with Humphrey Spender’s photographs of Bolton pubs for Mass Observation, taken in the late 1930s. We’ve used a few on the blog before but here’s a particularly dynamic example, where you can almost taste the mild, smell the smoke and hear the clack of the dominoes on the table:

Men playing dominoes.
Image ref. 1993.83.17.07

Spender snapped quickly without necessarily asking permission and occasionally got thrown out by irritated landlords. Eighty years on, the results are totally worth it — moments in time, faces, relationships, all captured without varnish.

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What Colour Should a Pub Be?

Yesterday Tandleman (@tandleman) posted a load of pictures on Twitter from a 1960s Wilson’s brewery calendar. They’re great because (a) they show pub interiors, which is rare; and (b) they’re in colour.

We couldn’t stop looking at them last night: they’re so vibrant and the colour choices so… Un-pubby. Finally, stealing an idea from @CINEMAPALETTES, we spent a few minutes coming up with these.

1. Classic Pub

A photo of a pub interior with colour pallette at bottom.

2. 1960s Pub
Interior of 1960s pub with colour palette at bottom.
Source: @Tandleman

Even allowing for the difference in the style of photo — the former was snapped by one of us on a smartphone in afternoon light; the latter looks stage-lit and Technicolor gaudy — that’s quite a difference.

We might do a few more and add them to this post as we go. It would be interesting to look at a full-on craft beer bar, for example, most of which, we suspect, would be shades of cream and grey. And Samuel Smith pubs would be brown, dark brown, darker brown and black-brown, right?

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The Yacht Inn, Penzance, in the 1950s

Strange coincidences and connections have led us to a collection of family photos of one of our favourite local pubs.

A brewer we interviewed last week (Paddy at Crossed Anchors) noticed that we had a picture of the fabulously Art Deco Yacht Inn, Penzance, as our Twitter header image. He mentioned that his great aunt and uncle, Frank and Phyllis Glasspool, ran it from 1949-c.1959. He emailed his dad, who emailed a cousin, Susan Glasspool (Bottaro), who provided the following fantastic collection of photographs and said we could share them here:

It was very hard work there, especially for my mother, who did all the cooking (plus the extras for the bar, pasties, sandwiches etc.), a lot of the cleaning, and then ran the cocktail bar in the evenings. Hard to have any family life. Thank goodness for the swimming pool over the road — 10 bob for a season ticket and I spent all my summers there!

Pub sign with moody sky and sea.
The sign of the Yacht Inn with Mount’s Bay and Newlyn in the background.
A man in a suit sits at the bar while Frank directs his assistant.
Frank Glasspool (left) and ‘Lennie’ (white coat) behind the main bar of the Yacht.

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