One reason we didn’t do this in Walthamstow all those years ago was that Boak grew up there and so knew all the pubs, although we wonder with hindsight what we might have missed. Certainly when Bailey’s Dad dragged us into The Duke’s Head we found a pub less rough than received local wisdom had led us to expect.
So far, in our bit of Bristol, we’ve been to:
two regional-brewery craft ale gastro lounges
a community pub [further information required]
a vast back-street inter-war improved pub with no real ale
a hipstery place with tapas and board games and
one that looks like a gastropub but feels like an estate pub.
And there are a few more to explore yet, although not much in the way of ‘classic pubs’ as far as we’ve noticed.
We don’t know yet which ones will end up as regular haunts but there’s only one we’ve really taken against (terrible beer, as much atmosphere as a Debenham’s cafe).
We’ll keep you posted, no doubt, especially on Twitter where the flow of pint-n-crisps photos will be the same but different, once we’ve got comfortable and don’t feel so anxious about soiling our own vestibule.
A lot of talking and thinking about Belgium and Belgian beer gave us the taste and so, passing through Bristol, we researched the best place to find it, which led us to The Strawberry Thief.
There are few examples — no examples? — of pastiche better than the original, but it is always educational. New Sherlock Holmes stories illuminate what Conan Doyle got right by what they get wrong; Star Wars: The Force Awakens is an excellent commentary on Star Wars; The Rutles bring home how unique The Beatles really were. And so on.
The Strawberry Thief pitches itself as ‘an elegant bar’ and adopts a number of Belgian quirks. A big one — the thing that tells you this is Not a Pub and that you are not in England — is waiter service. They’re good waiters, too — just on the right side of attentive without mithering, although (pastiche giveaway #1) they don’t have quite the rumpled, resigned authority that you get with the real deal in France, Belgium or Germany.
An odd detail that boosts the Belgian atmosphere is the furniture. We don’t know much about interior design but this stuff — brown, rounded, more delicate than bomb-proof British boozer kit — evoked Brussels or Bruges in some subconscious way. (Did Proust ever have a profound moment of recall through the seat of his pants?)
The beer, and its presentation, was The Big Sell. A substantial menu of around 50 Belgian beers covered all the bases, albeit with few surprises. The prices might be off-putting to some: most of the standard-sized bottles (330-375ml) were going for more than £6. All of those we ordered came in appropriately fancy glassware, properly branded in all but one case when an unbranded chalice was provided. We reckon we spent about £10 an hour on drinks between us — we happened to choose one of the cheaper beers, De La Senne Taras Boulba at £4.50 — which didn’t feel outrageous, if you think of it as rent on the seat, and bear in mind the high strength of most of what’s on offer.
What yanked us out of our Eurostar fantasy was the background music (contemporary dance pop where we wanted Grappelli), the light-blue walls (brown is still not cool in Britain) and the secondary theme: the designs of William Morris. The latter makes complete sense given the view from the window of the ornate facade of the arts-and-crafts Everard Printing Works opposite and, indeed, is the source of the bar’s name (‘Strawberry Thief’ is a Morris wallpaper design), but it’s got nothing to do with Belgium. Another thing that didn’t quite sit with the Belgian theme was the prevalence of pints of lager – by our reckoning draught Lost & Grounded Keller Pils (a normalish beer at a normalish price-per-pint from a local brewery) was the overall bestseller.
But as night fell, candles went out, lights came down, and a crowd filled every corner, all those quibbles washed away. If you’re willing play along, it’s close enough. We wouldn’t want, and couldn’t afford, to spend five hours here every night, but as a stop on a crawl, or as mid-week, post-work treat, it’s a nice garnish on a city beer scene otherwise dominated by old school real ale pubs or pallet-wood-n-Edison-bulbs craft beer bars.
It’s Sheffield Beer Week this week (14-22 March) which got us thinking about beer weeks in general — where did they come from, what are they for, and where are they going?
In the UK arguably the original beer week is Norwich City of Ale, which first took place in May 2011. It involves mini-festivals in pubs across the city featuring breweries from the region, and special events designed to create a buzz such as tasters of beer being given out in the street. It was the brain-child of lecturer Dawn Leeder and publican Phil Cutter, AKA ‘Murderers Phil’. As Dawn Leeder recalls there was no particular inspiration except perhaps, obliquely, Munich’s Oktoberfest. Its launch was covered by an enthusiastic Roger Protz in this article for Beer Pages which concludes with a call to action:
It’s an initiative that could and should be taken up other towns and cities in Britain with a good range of pubs, craft breweries and a public transport network. Nottingham and Sheffield, with their tram systems, spring to mind.
Glasgow’s beer week first ran in 2011. It was inspired equally by US beer weeks and by the Glasgow Beer and Pub Project organised by Eric Steen in 2010, a six-week arts and culture event which culminated with a home-brewing event in a pop-up pub. Glasgow Beer Week co-organiser Robbie Pickering recalls some of the difficulties faced by amateur volunteers:
We had our disasters, like the time we managed to schedule a meet-the-brewer in a pub where a live band was playing on the same night. I am very lucky that brewer still speaks to me. I am still proud of some of the events we put on even if hardly anyone came to them. We did the first beer and cheese tasting in Glasgow and the first UK screening of the US Michael Jackson documentary, and got Ron Pattinson over to speak about British lager together with people from the Scottish Brewing Archive Association. And I have a lifetime’s supply of beautiful letterpress beer mats with a spelling error.
It ran for three years the last being in 2013:
I think GBW collapsed in the end because of lack of interest. After the first year most of the other people involved had moved away and I was left running around on my own… I announced the dates for 2014 before deciding not to go ahead with it. Nobody ever asked what had happened to it which kind of suggests it was the right decision.
From our distant vantage point it also seemed to bring to a head tensions in Glasgow’s beer community with expressions of ill-feeling still being expressed via social media three years later.
Robbie Pickering sees some positives in it, however: the kinds of events that the Beer Week was built around now occur organically and frequently in Glasgow negating the need for a special event.
In 2012, the Campaign for Real Ale (CAMRA) ran a London City of Beer celebration piggybacking on the surge in visitors to the capital during the Olympic Games. But it was two months long, not a week, and didn’t turn into an annual event.
The next British city to get a beer week proper was Bristol. It launched in October 2013 when, having bubbled under as a beer destination for a few years beforehand, the city was just on the cusp of a boom in specialist bars and breweries. The initial idea came from Lee Williams who was born in Bristol but lived in the US for ten years where he ran a blog, Hoptopia, and wrote a guidebook called Beer Lover’s Colorado. When he returned to Bristol to work in the beer industry he brought with him experience of several US beer weeks and suggested the idea of running something similar to a friend and fellow beer blogger, Stephen Powell.
Bristol Beer Week featured more mini-festivals, talks, tastings and special one-off beers brewed in collaboration with beer writers who duly plugged the event.
Last weekend, to break the journey back from Yorkshire to Cornwall, we stopped over in Bristol and spent an evening accidentally immersed (not literally) in Moor Beer.
When we interviewed Justin Hawke for Brew Britannia, the brewery was based on the sleepy Somerset levels, where its shiny metal and US punk attitude seemed rather out of place. Last year, however, it relocated to Bristol, which is sometimes called the Capital of the West Country, and which is certainly the heart of the South West’s ‘craft beer revolution’.
We say ‘accidentally’ above because we went out on the town with no fixed plans other than to have a half of something exotic in BrewDog but, a few steps along the waterside from there, we came across the Three Brothers burger restaurant which was proudly displaying to the street a line of shiny keg fonts, most of them bearing Moor’s logo.