Things We Love about CAMRA

Close-up of the CAMRA logo from the 1984 Good Beer Guide.

Tweet: "@BoakandBailey Twitter doesn't put @camra across in a good light - do they do anything other than make mistakes/argue?"

We are by no means uncritical of CAMRA but our instinctive reaction to the Tweet above was defensive: we’re rather fond of the Campaign, despite its oddities, frustrations and occasional missteps.

That’s why, despite having been tempted a couple of times, we’ve never let our membership lapse. (Or made a big fuss about cutting up or burning our membership cards on social media, as some others have.)

Keen to explore that gut feeling, we had a think about what specifically makes us like CAMRA as it is now, and came up with the following list.

1. Joining is a rite of passage — a way to show you’re on Team Beer. When we were just getting into beer, we wanted something like a fan club to join, and CAMRA was and remains more-or-less the only game in town. We didn’t know the ins-and-outs of dispense method politics — we just wanted a badge and a newsletter and a secrete decoder ring. It still fulfils this function today.

2. It gets beer and pubs into the news. CAMRA’s pub of the year awards gain acres of coverage, especially in local papers. When there is a story about beer, CAMRA is always asked for a comment: without them, business, government and the health lobby would have a monopoly over the conversation. It reminds the real world that people who are a bit more than passingly interested in beer exist, and in great numbers.

3. It makes beer part of the conversation in Westminster. You might not think it joins the right conversations, or takes the right line, but the fact that it is able to influence government policy at all is remarkable. Membership numbers are always entertaining to consider: CAMRA 169,000; Conservative Party 150,000; Labour Party 194,000; Liberal Democrats 44,000. (SOURCE: Wikipedia.)

4. Its history. The modern beer festival, with its tokens and dizzying array of weird beers, evolved from events like the 1975 Covent Garden Beer Exhibition. The Good Beer Guide was the first book to prioritise drinkers and beer rather than breweries and food. CAMRA even helped to pioneer the ‘tasting note’, way back in the 1980s, when most people thought it was silly to talk about beer instead of just necking it. It didn’t single-handedly save British beer from mediocrity but it certainly played a huge part.

5. It offers something to react against. Breweries such as BrewDog and Meantime would not exist as they do today if they had not shaped themselves in opposition to CAMRA’s values and culture, as they saw them.

6. It is democratic. It’s an imperfect democracy — one that feels inaccessible and confusing to us in its current state — but it does give members the power to propose and vote on policy. The much-mocked letters page in What’s Brewing is currently a battleground between those who advocate a thawing of relations with ‘craft beer’, and those who want to send tanks in — but both voices are represented, in equal measure, without (as far as we can tell) any censorship of ideas.

7. It keeps cask-conditioned beer alive and relatively well. Though we’re pro-keg and -bottle, many of our favourite beers are cask-conditioned, and wouldn’t be half as good otherwise. We certainly think it’s a tradition worth preserving, and, without CAMRA’s constant stick-and-carrot pressure on the industry, it would be a lot harder to find outside specialist venues.

8. It takes practical steps to protect pubs of historic interest. We don’t believe that every pub is sacred — that none should ever be demolished or re-purposed — but CAMRA’s efforts in cataloguing and recording the most representative and significant heritage pubs is truly important work.

9. It is a national institution. The eccentricity, rituals, arcane rules and regulations, and the occasional pomposity, when they’re not infuriating, can seem rather charming. Like the College of Arms or Flora Day or cheese rolling, CAMRA is one of those things that makes Britain feel British: are we the only people who would voluntarily set up a huge national bureaucracy to organise debauches and moan about the heads on our pints, with occasional interludes of Morris Dancing?

Last and probably least…

10. It publishes, and pays fairly for, good quality long-form beer writing. (DISCLOSURE: including by us, if we do say so ourselves.) BEER magazine is one of few outlets in the UK for writing about beer and, despite its parentage, allows both criticism of CAMRA in its pages (though we can’t point to a specific example right now) and discussion of beers other than ‘real ale’.

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Of course we could easily argue against ourselves on each of these points. For example, why should CAMRA be the de facto voice of beer drinkers, given that it doesn’t represent all of them? What’s the use of cask ale everywhere if it’s only lip service — dodgy Greene King IPA and Sharp’s Doom Bar? And doesn’t government have more important things to worry about than beer and pubs? But this was about exploring our gut feeling — that CAMRA is a good thing, for all its flaws.

We’ve switched comments off on this post because we can’t quite be bothered to moderate the argument that we suspect might ensue. If you’re desperate to Speak Your Brains, email us at boakandbailey@gmail.com and we’ll perhaps publish some comments in a follow-up.