A lot of talking and thinking about Belgium and Belgian beer gave us the taste and so, passing through Bristol, we researched the best place to find it, which led us to The Strawberry Thief.
There are few examples — no examples? — of pastiche better than the original, but it is always educational. New Sherlock Holmes stories illuminate what Conan Doyle got right by what they get wrong; Star Wars: The Force Awakens is an excellent commentary on Star Wars; The Rutles bring home how unique The Beatles really were. And so on.
The Strawberry Thief pitches itself as ‘an elegant bar’ and adopts a number of Belgian quirks. A big one — the thing that tells you this is Not a Pub and that you are not in England — is waiter service. They’re good waiters, too — just on the right side of attentive without mithering, although (pastiche giveaway #1) they don’t have quite the rumpled, resigned authority that you get with the real deal in France, Belgium or Germany.
An odd detail that boosts the Belgian atmosphere is the furniture. We don’t know much about interior design but this stuff — brown, rounded, more delicate than bomb-proof British boozer kit — evoked Brussels or Bruges in some subconscious way. (Did Proust ever have a profound moment of recall through the seat of his pants?)
The beer, and its presentation, was The Big Sell. A substantial menu of around 50 Belgian beers covered all the bases, albeit with few surprises. The prices might be off-putting to some: most of the standard-sized bottles (330-375ml) were going for more than £6. All of those we ordered came in appropriately fancy glassware, properly branded in all but one case when an unbranded chalice was provided. We reckon we spent about £10 an hour on drinks between us — we happened to choose one of the cheaper beers, De La Senne Taras Boulba at £4.50 — which didn’t feel outrageous, if you think of it as rent on the seat, and bear in mind the high strength of most of what’s on offer.
What yanked us out of our Eurostar fantasy was the background music (contemporary dance pop where we wanted Grappelli), the light-blue walls (brown is still not cool in Britain) and the secondary theme: the designs of William Morris. The latter makes complete sense given the view from the window of the ornate facade of the arts-and-crafts Everard Printing Works opposite and, indeed, is the source of the bar’s name (‘Strawberry Thief’ is a Morris wallpaper design), but it’s got nothing to do with Belgium. Another thing that didn’t quite sit with the Belgian theme was the prevalence of pints of lager – by our reckoning draught Lost & Grounded Keller Pils (a normalish beer at a normalish price-per-pint from a local brewery) was the overall bestseller.
But as night fell, candles went out, lights came down, and a crowd filled every corner, all those quibbles washed away. If you’re willing play along, it’s close enough. We wouldn’t want, and couldn’t afford, to spend five hours here every night, but as a stop on a crawl, or as mid-week, post-work treat, it’s a nice garnish on a city beer scene otherwise dominated by old school real ale pubs or pallet-wood-n-Edison-bulbs craft beer bars.