We recently acquired a copy of The House of Whitbread for Spring 1958 — a magazine we had previously only seen bits of, in the form of photocopies, at the London Metropolitan Archive — with a short feature on a famous post-war pub.
The White Knight in Crawley, West Sussex, wasn’t by any means the first new pub built after World War II but nonetheless seems to have been considered something of a landmark when it was opened in October 1957. Indeed, the HoW article cites a BBC Home Service feature called Town and Country which apparently described it as ‘revolutionary in character and embodying many new ideas’. Architectural critic Ian Nairn loved it, too.
There’s are photos of the exterior of the pub in almost every article about modern pubs from the 1950s and 60s but interior photos are less common so it’s good to see these:
The inset fireplace! The atomic-age wall clock! Those striped curtains! The flying saucer light-fittings! We’ve never seen colour photographs and no indication of the colour scheme is recorded anywhere we can find but we have to assume there are some pastel shades in there.
Here’s the HoW account of what made the pub special:
There are two bars, the Knight’s Saloon and the Knight’s Taproom, and walls made almost entirely of glass divide them from the terrace which has wooden benches and tables screened by pergolas. The Knight’s Saloon also leads, again through glass walls, to a small paved garden at the side of the house. On weekdays from ten in the morning till half past ten at night a coffee room serves light refreshments, lunches, teas and soft drinks. It is linked by an open terrace where beer drinkers and coffee drinkers can freely mix. The design completely disregards the idea that drinking is a secret occupation to be screened from view by solid walls and obscured glass.
That all sounds, it must be said, thoroughly modern — very Hungry Horse or Flaming Grill.
Thought we didn’t make it to Crawley during research for 20th Century Pub we were pleased to find that it is still trading under the name The Knight. It has lost most of its mid-century charm, made over with cod-Victorian details, but that’s so often the way.