The March 1974 edition of the Arup Journal is an amazing artefact, offering a blow-by-blow breakdown of the design and construction of Carlsberg’s state of the art Danish brewery in Northampton.
You can read the full magazine here in PDF form, and it’s a lovely thing in its own right – all white space and sans serif, as stylish as the buildings it depicts.
Arup is an architecture firm founded in 1946 by Ove Arup, born in Newcastle upon Tyne in the UK to Danish parents in 1895, and educated in Denmark. Though he died in 1988 the company lives on, its name a byword for modernism.
In 1970, Arup was commissioned by Carlsberg Brewery Ltd to design a new plant in Northampton in the English Midlands, just as the lager boom was beginning to bite. The cost of the project was £15 million; Carlsberg supplied the brewery equipment and defined the necessities of the space according to production need; and Arup commissioned Danish architect Knud Munk to produce a design that would “express the best in modern Danish architecture”.
As well as lots of detail in the text the magazine also includes process charts…
…and lots of dramatic black-and-white photography of the brewery building at various stages of construction, set in the flat landscape against dramatic skies…
…which are either awe-inspiring or grim depending on your point of view.
It’s fascinating to think of this hulk appearing, with attendant talk of efficiency and automation, at just the exact moment the Campaign for Real Ale was taking off. This is about as far from all that imagery of wooden casks, old inns and pewter tankards as you can get.
And the emphasis throughout on the Danishness of the project – Danish brewers, Danish architect, officially opened by the Queen of Denmark – while canny in terms of underlining the authenticity of the product was also at odds with the growing sense that Local was somehow a sacred virtue.
We’ve been researching this building and Carlsberg’s arrival in the UK on and off for years and this showed up in one of our periodic check-ins. There are times we worry about the state of corporate archives and others when we feel like we’re living in the best possible age, with digitising getting cheaper and companies realising the value of their own history.