This is very specific: we want to talk to anyone who recalls attending the opening of The Moon Under Water on Deansgate, Manchester, on 15 August 1995.
We’ve heard from people who went not long after — memories of mannequins in the former cinema stalls, and awe at the sheer size of the place — but no-one seems to remember day one.
There must have been a ribbon-cutting ceremony — Eddie Gershon, who does PR for Wetherspoon’s, reckons it was covered in the Manchester Evening News though he doesn’t have any clippings or photos.
If you were there, get in touch. If you have a vague memory of your mate having gone along, or your cousin working behind the bar, give ’em a nudge. We’re email@example.com and any memory, however small or apparently insignificant, might be just what we need.
Also feel free to share on Facebook or wherever else you fancy.
Did you drink, eat, work at or run a gastropub between 1990-1998? If so, we’d love to hear from you.
We’re especially interested in diary entries, letters, articles, emails or other records you might have made at the time — nothing is too scrappy or too minor.
But memories are helpful too.
We’ve got lots of facts, dates and figures: what we want to know is, how did these places feel?
Like journalist Kathryn Flett, a great champion of gastropubs in the 1990s, did you appreciate their un-blokey atmosphere and rustic chic? Did you welcome the opportunity to enjoy good food without having to dress, mind your table manners and take out a small bank loan?
Or perhaps you’re with Patrick Harveson who, in 1995, wrote an article in the Times calling for The Campaign for Real Pubs. Did your local became somewhere you no longer felt you could pop in for a pint? Maybe you saw the very idea of the gastropub as dangerous — a threat to the very idea of what pubs are meant to be.
The Eagle in Clerkenwell, London, generally given credit as the original gastropub after its 1991 reinvention, is one we’re particularly focusing on but we’d be happy to hear about any others you think are notable or interesting.
You can comment below but it’d be much more useful if you could email us via firstname.lastname@example.org.
In the Daily Mirror on 27 January 1995, Nick Kent wrote:
THE coolest beers in America are hitting Britain – and some of them are OK when they’re warm! Microbrewery beers are fashionable in the US but may become an endangered species as hype and big business start to get a hold… Pete’s Wicked Lager is a fine example; hops predominate and it has a clean, sharp, dry taste even though it is on the strong side (4.8 per cent alcohol).
Then, on 21 July the same year, Kent announced an exciting competition:
HE’S loud, proud, thirsty-something, and he could be heading your way… American Pete Slosberg, founder of Pete’s Brewing Company, is coming to the British Beer Festival, and he wants a brace of Mirror readers to go with him… So prepare to be sloshed with Slosberg. It will be a swill party… Modest, quiet, polite, a tasteful dresser — Pete is none of these, as the two competition winners will soon discover… They will accompany Pete as he pint-ificates his way around the festival at London’s Olympia, on Thursday, August 3… Dispensing views on other people’s wares, he will be looking out for any beer daring to rival Pete’s Wicked Lager and Pete’s Wicked Ale for taste… Pete will also take his Mirror guests for a taste of the Belgian beer and food at Belgo Centraal… This top restaurant is the trendiest thing to come out of Belgium since Tintin.
By 1996, Pete’s beers were in Majestic, Waitrose, Tesco, Morrison’s and Oddbins (Independent on Sunday, 17 November).
This is one of the easier American breweries to get hold of in the UK… The beer is ruby-coloured with a thick, reasonably tenacious head. The nose is quite light, but with noticeable sugary malt notes and a little background hoppiness (aroma hops only). On the tongue, it is quite fizzy and fairly malty, but not as sweet as you might expect from the aroma – in fact it is much drier than many brown ales. There is burnt caramel in the back of the throat, becoming more pronounced towards the finish. The aftertaste is more hoppy, but also with bitter, burnt sugar flavours. This is a pleasant example of a brown ale, with a pleasing dryness not often encountered in the genre.
It doesn’t sound terribly exciting — as Jeff Alworth put it in 2011, ‘In the 1990s, lots and lots of people drank and enjoyed brown ales… I mean really, brown ales. What the … ?’ — but it had a whiff of the exotic about it, and was cleverly marketed with a big personality front-and-centre, e.g.
In the UK, it seems to have occupied a similar space to Newquay Steam Beer, come to think of it — a bit outside the narrative of the ‘craft beer revolution’ (unless we’re mistaken, the last 20 years hasn’t seen a ton of Pete’s Wicked clones among UK brewers, unlike, say, Sierra Nevada Pale Ale) and different without being too different.
“Welcome to the most exotic bar in the whole festival… This year’s star feature has to be the USA. Thanks to months of work by Jonathan Tuttle… Rick’s American Bar has probably the widest selection of beer and beer styles ever to cross the Atlantic Ocean from West to East.”
COLONEL PEPPER’S LEMON ALE — AN UNUSUALLY REFRESHING COMBINATION!
Whitbread has revived the use of one of brewing’s oldest ingredients, black pepper and added a relatively new one into British beer making, lemon, with the launch of Colonel Pepper’s Lemon Ale – the ideal thirst-quenching pint for those long, balmy summer days!
Colonel Pepper’s (5.0% ABV) is a wonderfully refreshing beer, unusually light and golden in colour for an ale, with a spicy aroma – the lemon peel and ground black pepper added into the brew give it a clean and fresh ‘tingle’ for the drinker’s palate.