Categories
pubs

We’re very much here for Hereford

One of the great things about The Drapers Arms is that we made friends there – the type who say: “Do you want to do a daytrip to Hereford?”

Jess had been to Hereford as a small child on a family holiday. She remembers the Mappa Mundi in the cathedral and that’s about it.

Ray had never been and his only point of reference was Robert De Niro yelling at Sean Bean in Ronin: “What’s the colour of the boathouse at Hearford!?”

It’s an interesting place – an historic cathedral city on the river Wye, with a few cute little streets and a general sense of being in the borderlands. Are you in the Midlands, the West Country, or Wales? We heard accents from all three while we were there and it’s also reflected in its drinking culture.

Our friends had drawn up an itinerary and we were pleased to see that the two pubs we’d identified as must-visits were also top of the organiser’s agenda.

(How had we identified them? By reviewing Retired Martin’s blog, obviously.)

An old-fashioned pub with a dartboard, lots of small tables, and pictures on the walls.
The Barrels, Hereford.

The Barrels sent out all the right vibes immediately: wonky building, carpet in the bar, dartboard, red upholstered benches, and so on. The bar staff were passionate about, and proud of, their full range of Wye Valley beer. “Start at this end and work your way along, would be my advice,” said one regular. “Though you might need an ambulance to get home.”

We frequently see Butty Bach and HPA in Bristol but there were some beers here we hadn’t encountered ever, or for years. Bitter and Wholesome Stout grabbed our attention in particular. The former was nutty and almost like a light mild, the latter a delightful swirl of coffee and cream. It felt quite decadent at only 4.6%.

The prices were a pleasant change from Bristol too: £5.85 got us a pint and half of beer in excellent condition. And the seasonal special was being advertised at £3.90 a pint.

We were there just after opening time and there were already a few people getting settled. Most of them were drinking bitter as far as we could tell. We could have happily settled in for the afternoon but there were other places we needed to be.

A pint of cask Bass in a Bass branded glass.
Perfect Bass at The Lichfield Vaults.

We stopped for lunch at The Lichfield Vaults which also had a tempting old skool beer range, including Bass and Timothy Taylor Landlord. We had one of each. The Landlord was very good and the Bass was damn near perfect: cool, lively, intriguingly funky.

The Orange Tree is a Black Country Ales pub and perhaps has a wider role as embassy for the Black Country. The people behind the bar and half the customers had strong Midlands accents. There were Black Country Ales on the pumps and Kath’s homemade cobs in the chiller. (£3 and, as one of our companions kept saying, “bigger than my head”.)

We enjoyed Pig on the Wall, the Black Country Ales mild, as well as a great pint of Hopback Summer Lightning.

After that, we needed to sober up, and so went sightseeing while our party broke up to (a) go to a football match or (b) drink wine. We nosed around the cathedral, looked at a statue of Edward Elgar, regarded an old barn, climbed into the roof of a church to look at an obscene carving, and then pottered along the river.

As they day grew dimpsy we rendezvoused at Beer in Hand near the football ground. (Pictured at the top of this post.)

It looks and feels like a micropub, except it’s massive, and has a bunch of bottles, cans and keg beer. It’s another of those hybrids we identified here, we suppose.

We didn’t fancy the two cask ales, one of which was from Bristol, of course, and the keg beers seemed to mostly be hazy pales – which, again, we get plenty of at home.

So, we went for Helles Lager by Burnt Mill. We enjoyed it as an example of an English craft lager rather than a particularly authentic example of the style.

We should perhaps also point out that Herefordshire is also cider country. Most pubs had interesting cider available, often quite a range, and the town even has its own cider museum. But we’ll save that for another trip.

Categories
Generalisations about beer culture

Have you joined the Bass club yet?

Could 2024’s hype beer, cask Bass, ever replace the traditional hazy, hoppy keg pale ales British drinkers have enjoyed for years?

Its fans, a small group of contrarian hipsters, seem to think so.

They share intelligence on the internet and trek to obscure out-of-town pubs to find it.

And they boast about drinking it on social media and in blog posts.

It seems to be as much about bragging rights as the quality of the beer itself because, let’s be honest, it’s hardly a mainstream product.

Listen to Bass enthusiasts talking about its foam, either too big or non-existent, and its “whiff of sulphur”. As in eggs. As in farts. Does that sound appealing to you?

You do wonder if Bass drinkers are trying to convince themselves they enjoy drinking it, purely for the sake of their credibility.

Oh, we can’t keep this up… The point is, a few days ago, in the footnotes post on Patreon accompanying our Saturday round-up, we wrote:

Jeff Alworth’s piece about Bass also has a good quote from Matthew Curtis: “It’s pretty easy to track down anyway, and I can only describe it tasting as how an English bitter tastes in the mind’s eye. I’m really into it at the moment.” Meanwhile, the number of outlets for Bass in Bristol continues to grow. The hype beer of 2025?

Then, on Saturday evening, we decided to take another look at The Crown, a Bristol pub long famous for its Bass, and which recently reopened.

When we ordered a round including a pint of cask Bass the person behind the bar raised an eyebrow and said, conspiratorially:

“Do you have a Bass Club loyalty card?”

When we said we didn’t we were directed to a display on the mantelpiece where we could read about the rules of the Bass Club and get a blank card.

A display explaining the terms of The Crown Tavern's Bass Club with a little holder full of loyalty cards.

“It’s our USP, really,” they said. “We sell more of it than any other beer.”

We found ourselves thinking of Tandleman’s frequent observation that cask relies on throughput to ensure its quality. 

This particular pint of Bass was as close to perfect as we’ve ever had – glowingly clear, reddish brown, with just a hint of Orval-like funkiness.

The great innovation here is that it is served with a head, in contravention of Bristol tradition, but very much in line with modern expectations of how a decent pint should look.

So we abandoned our plans to go to The Swan With Two Necks and stayed to fill a few more slots on the loyalty card.

Across the park, The Coach & Horses, under new management again, we’re told, has gained semi-permanent signage boasting of the availability of Bass.

And we’ve found it on at The Swan With Two Necks several times in the past couple of months. There too we’re told it sells well, especially to returning regulars from the pre-gentrification era.

In all seriousness, Bass does seem to sit in a sweet spot that could give it another moment in the sun.

First, there is something appealing about relatively rare beers – about hunting them down, or being in the know.

Secondly, it has a degree of complexity and variation that makes it interesting. Somehow, by accident or because someone who cares is involved in the process, it is still a high quality, characterful beer.

Thirdly, it has some of the same sense of being a forever-brand as Guinness. If you bumped into your great-grandma, somehow, these might be beers you would have in common.

And, finally, it has that feeling of being unpretentious.

Nobody will look at you drinking Bass and think you’re showing off, or lording over them with your superior palate and connoisseur’s palate.

Even if you know, secretly, that’s exactly what you’re doing.

How will we know if Bass is really becoming a hype beer?

We’ll be keeping our eyes open for people under 30 wearing Bass branded T-shirts, hats or badges.

Categories
bristol pubs

The Crown has been revived and still has Bass

The Crown Tavern is a Bristol landmark but its future seemed uncertain when the former publicans retired. But it has been saved and revived.

We first noticed The Crown when… Well, you couldn’t help but notice it. It’s a big, hulking Victorian building surrounded by small ones.

And, until quite recently, it had trees growing out of its brickwork, and a general air of intimidating dilapidation.

It took us a while to summon the courage to go inside. When we did, we found that it was just a neighbourhood boozer, with a mostly older clientele. The atmosphere wasn’t scary so much as sleepy.

It had all the signs of being doomed, though. The building was crumbling, for one thing.

For another, the publicans, Gloria O’Connor and her husband Dominic, were in their eighties.

And, finally, there was its location: a pub desert to the south and east, and rampant development to the north and west.

The exterior of a pub with pale yellow and red brick, net curtains in the windows, and some graffiti. A big plastic sign says The Crown Tavern.
The Crown Tavern in 2021, before its refurb.

When it closed early in 2023, we assumed that was it. Demolition or redevelopment was sure to follow.

Then people who are much more clued into Bristol pub gossip than us told us they’d heard Sam Gregory, landlord of The Bank Tavern, was interested in taking it on.

You might have heard of The Bank, even if you don’t know Bristol: it’s the one with the four-year waiting list for reservations for Sunday lunch.

We filed this news under “We’ll believe it when we see it”. So much can go wrong with plans to revive pubs, as we’ve seen with successive attempts to take on The Rhubarb.

But scaffolding went up, workmen came in, and by spring this year, there were clear signs of a refurb underway. We’d walk past on our way to the nearby Swan With Two Necks and peer in, trying to catch glimpses of what might be going on.

“It’s opening next week,” someone told us several months ago. It didn’t, which seemed a worrying sign. Then, last Friday, in mid-August, it did.

The bar of The Crown Tavern with fresh paint, gleaming keg fonts, and green tiles in the background.
The bar at The Crown Tavern – the same as before but with fresh paint.

We wandered in yesterday, unable to resist the lure of a wide open door and the sound of clinking glasses. This is already a contrast to The Crown of old with its opaque entranceway, all frosted glass and net curtains, guarded by smokers.

Sam Gregory himself was behind the bar, beaming as he welcomed us. The first thing we noticed was something that had not changed: cask Bass on the bar.

“It’s controversial, though,” he told us. “Because it’s on handpump, served with a head. Whereas a lot of Bristol pubs serve it through electric pumps, completely flat.” (It’s true.)

Honestly, much as we appreciate that local tradition, the pint he presented looked all the more attractive for its inch of tight white foam.

“They’d only sell it to me if I promised to keep it as a pub,” he added, when we complimented the refurb. Was that also the reason for the presence of Bass? He nodded slowly. “But it’s selling very well.”

The refurb is good. In many ways it feels like the same pub – basic to the point of austerity, neither fussy nor trendy. There are some shiny, jewel-like tiles on the walls, and a few plants here and there, but not much that would startle a customer from the 1920s.

The main thing is that everything is clean, fresh, sharp and new. The windows are clear and clean, allowing light to stream in. And where there used to be gloom and shadows, there are warm, subtle lamps.

The beer range isn’t designed to attract craft beer types, although four cask ales, including Bass, might be a draw for the CAMRA crowd. The guest ales on our visit were from Twisted Oak and Hop Union.

It’s not quite the same type of pub it was before but, frankly, how could it be? Where is the business model that supports selling £2 pints of Bass or cans of lager to a dwindling cohort of ageing drinkers?

But it’s not pretentious, hipsterfied, or unwelcoming, and seems to have sidestepped gentrification controversies.

The most exciting thing for us is that there is now another decent pub within walking distance of our house, a full two minutes closer than The Swan With Two Necks.

And that a small run of decent pubs is emerging in St Judes. You could have a very happy afternoon or evening wandering between The Crown, The Swan With Two Necks, and The Volunteer.

Throw in The Phoenix (it has its attractions) or The Coach & Horses (more Bass) and you could keep going, too.

The Crown Tavern is at 17 Lawfords Gate, Bristol BS2 0DY.

Categories
bristol

The class status of Bass in Bristol pubs

Beer brands have different meanings in different contexts. Especially old ones like Bass which have had time to evolve and mutate.

Down here in Bristol, Bass isn’t a rarity. At least not if you get away from the city centre, and swerve the destination craft beer and real ale pubs.

On our ‘Every Pub in Bristol’ mission (we’ve reached number 308 for those keeping track) we often come across cask Bass in down-to-earth pubs on the way out of town.

When we say ‘down-to-earth’ what do we mean? Not ‘rough’, that problematic term, but perhaps a little run down, and certainly not gentrified.

They often serve their Bass from mirrored electric pumps installed at least 50 years ago, as at The Sandringham and The Avon Packet. And they serve it completely, ritually flat.

In general, we often get the sense that Bass is on offer through inertia rather than choice. After all, who’d want to take the risk of removing Bass knowing how badly that might go down with the regulars?

We even have a case study in The Swan With Two Necks. For a long time it was a Bass pub, and still has the logo on the windows. But in late 2019 the new landlord, Jamie, ditched the Bass as he took the pub gently but surely upmarket. And the regulars were furious.

A few years on, some of them have returned to the pub, won over by Jamie’s successor, Elmer, after he went on a charm offensive and added Timothy Taylor Boltmaker as a replacement for Bass on the bar.

Another nearby Bass pub, The Crown, is due to reopen shortly under new management, its previous owners having retired. Its cask Bass was £1.50 a pint for years until the inevitable price increase happened and it went up to £2 a pint.

Will the revived Crown have Bass at all? The locals and former regulars seem keen to know.

Meanwhile, across a small park from The Crown, towards earthy Old Market – look, we’re not going to explain ‘earthy’ – is The Coach & Horses. When we visited recently we found cask Bass on offer alongside Guinness, with hurling on the TV and Irish flags everywhere.

The Bass is apparently a new addition, this pub also having come under new management recently, and apparently lost some of its Irish character in the process. (Which makes us wonder how Irish it must have been before.)

The point is, Bass in this part of town represents the Old Ways – an aspect of a Bristol that’s gone, or very nearly.

It’s the same story out in the neighbourhoods where Bass has about the same status as tins of Natch cider.

In other parts of the country, this doesn’t always seem to be how Bass is viewed. In fact, if you’d asked us to describe a typical Bass drinker a few years ago, we’d have described someone fairly well to do, and at least a little conservative.

Perhaps that’s because of its particular association in the collective consciousness of British beer geeks with The White Horse in Parsons Green, West London. That pub was also known as the Sloaney Pony in reference to its posh clientele and posh location.

Or maybe it’s the lingering sense that Bass is a premium product, which is what made it so popular in the West Country a century and more ago.

Check out Ian Thurman’s regularly updated spreadsheet to find your local Bass pub.

Categories
homebrewing recipes

What do we really know about how to brew Bass?

This week, someone got in touch to ask if we happened to have any historic recipes for Bass in our collection.

Though we have copies of a few old logs, notably from Starkey Knight & Ford and St Austell, this isn’t really our turf, and we certainly don’t have access to what, it turns out, are log books jealously guarded by Molson Coors.*

But it did get us thinking… What do we know about the recipe for Bass?

What information of any provenance is in the public domain?

And by getting it wrong on the internet, can we encourage others to share what they know?

We’re certain there must be notebooks, photocopies, photographs and scraps knocking about in attics and filing cabinets up and down the country. Bass has been in production for 200 years or so – surely the odd bit of paperwork has snuck out?

The basics

What are the specifications of cask Bass as it is today?

We know it has an ABV of 4.4%. According to this commercial wholesaler’s catalogue, it uses Golding, Fuggles, Progress, Challenger, Styrian Golding, Hercules and Admiral hops – can we assume this information came from the brewery? And from drinking it, we know it’s, well, brown – somewhere around 10 SRM according to analyses by home-brewers.

In our experience, it certainly tastes different to other beers brewed by Marston’s* which we, at a guess, put down to a distinctive yeast strain. At times – at its best – it almost hints at Orval, which suggests a complex multi-strain yeast. What would seem to be an official blurb says “It is brewed with two strains of yeast” so maybe there’s something in that.

So, on the whole, that’s not a lot to go on.

English hops | multi-strain yeast | brown | 4.4% ABV

Twenty years ago

The historical record online is rather polluted by guesswork home-brew recipes on forums and in magazines but there are some nuggets to be found.

For example, beer writers Michael Jackson and Roger Protz (pals and contemporaries) were consistent in suggesting that Bass used Northdown and Challenger hops in the 1990s.

Writing in 2003, Mr Protz also offers further detail: “Bass is brewed with Halcyon pale malt, maltose syrup and Challenger and Northdown hops.”

Halcyon malt | maltose | English hops | multi-strain yeast | brown | 4.4%

The Continental Affair

Perhaps the most interesting recipe in the public domain, with very decent provenance, is the one for the IPA Pete Brown took to India for his Hops & Glory project. Pete worked with Steve Wellington at the Bass microbrewery in Burton-upon-Trent to develop the beer:

I’d told Steve that I wanted a beer that was around 7 per cent ABV, packed full of hops, with dry hops in the barrel, brewed with traditional Burton well water. “There was an IPA called Bass Continental that was last brewed around sixty years ago,” he explained. “It was brewed for Belgium and based on recipes that went back to Bass ale in the 1850s, so it’s pretty authentic. It was six and a half, so we’re upping it to seven. We’re using Northdown hops, which are very aromatic, pale English and crystal malts. We’re using two different Worthington yeasts, and water from Salt’s well, rich in gypsum.”

Now, this is especially interesting because it connects both with modern Bass recipes (Northdown) and an earlier historic recreation put together by Mark Dorber when he was running the White Horse in Parson’s Green. He told us about this when we interviewed him for Brew Britannia back in 2013:

It was Burton pale ale that first really caught my imagination. We had our first pale ale festival in 1992, and then an India pale ale festival the following year, in July 1993. I approached Bass and suggested using the small test plant to brew something to an authentic historic recipe. Tom Dawson provided the recipe for Bass Continental and we used that as the basis for the brew. Something went wrong, however, and it had far higher alpha acids than we’d planned, and we also dry-hopped the hell out of it in the cellar. It was more-or-less undrinkable, but massively aromatic. I kept a couple of casks back and, the next year when we had a follow-up seminar. That was a real meeting of minds from the US and Britain, and everyone went away very enthused about IPA.

So arguably it was this attempt to brew old-fashioned Bass that kickstarted the whole IPA obsession of the past 30 years.

Anyway, more importantly, this means that Bass Continental recipes have escaped the brewery vaults and are floating about. Even better: one of them has been written down and published.

Not for the first time, we find ourselves recommending Mitch Steele’s excellent book IPA from 2012. Because Mr Steele is a brewer himself he seems to have been remarkably successful at convincing his peers to share recipes and the book contains a goldmine of valuable information on specific beers. That includes fantastically detailed notes on the Brown-Wellington IPA based on Bass Continental, albeit with some key details withheld.

Key points:

  • water with 400 ppm CaSO₄ and 360 ppm MgSO₄
  • 97.8% pale malt, 2.2% crystal
  • invert sugar
  • Fuggles and Goldings at start of boil, Northdown to finish
    ‘Burton Union dual strain yeast’.
  • The same book also contains a version of Steve Wellington’s recipe for Worthington White Shield, a close relative of Bass. It’s quite different to Continental but, again, Northdown is the feature hop.

One small problem with the above recipes is that Northdown hops weren’t developed until the 1970s and crystal malt wasn’t widely used until well into the 20th century. That puts paid to the suggestion that the Continental recipe has any real tie to the 1850s.

Ron, of course

Although we know he hasn’t been able to get to the Bass brewing logs, much to his frustration, Ron Pattinson has of course managed to gather some invaluable information on Bass from other sources.

Most notably, there’s this survey of the beer’s specifications from 1951 to 1993, based on the Whitbread Gravity Book and the CAMRA Good Beer Guide.

It provides OG, FG, ABV, attenuation and colour for each check-in, from which we can see that the bottled version was especially dry and strong c.1961, with more than 95% attenuation and more than 6% ABV.

A key point, we suppose, is that it varied massively from one decade to the next so there is no such thing as BASS, only a multitude of BASSES.

In conclusion

If we wanted to brew an authentic old-school Bass, here’s what we’d do:

  • Pick a year from Ron’s table and use that to establish the key parameters.
  • Base the malt bill on the Continental recipe given by Steve Wellington (98% pale, dab of crystal).
  • Select a suitably funky yeast – there are some with supposed provenance.
  • Use English hops throughout, probably finishing with Northdown.

And then, probably the most important step: get a professional cellarman to look after it and a publican with know-how to serve it with due reverence in perfect glassware, in a perfect pub.

Because really, the recipe probably isn’t the most important thing when it comes to the magic of Bass.

Tell us we’re wrong!

Now, knock us down a peg or two. Flourish the brewing log your uncle nicked when he retired from Bass in 1972. Point to an amazing, authoritative source we missed.


* It’s complicated: AB-InBev owns the rights to the brand, while MC has possession of the physical records, and Marston’s make the cask product for ABI. This is a result of the reorganisation of the British brewing industry in the 1990s and the emergence of massive multinationals.