The architect and interior designer Roderick ‘Roddy’ Gradidge was both a conservative and a wannabe Teddy Boy proto-punk. Though he worked on all kinds of buildings, and wrote several books, he is usually described in short-form as one thing: a pub designer.
We’ve put together this profile based on the newspaper archives we were able to access, online sources, and the books in the ever-expanding Arthur Millard Memorial Library (our box room). As such, consider it a work in progress: when we get chance, for example, we’ll visit the RIBA library and see if we can come up with a more comprehensive list of his projects. Here’s what we know for now.
John Roderick Warlow Gradidge was born in Norfolk in 1929 but grew up in India where his father served in the colonial army. Young Roderick came back to England in 1943 to attend Stowe under the headmastership of J.F. Roxburgh. Writing in the aftermath of Gradidge’s death the writer A.N. Wilson, a friend, suggested that Roxburgh was a key influence on Gradidge’s character:
When one thinks of the flamboyant gallery of talent fostered by that schoolmaster – Peregrine Worsthorne, Antony Quinton, George Melly, – it is hard not to feel some connection.
Flamboyant is certainly the right word: Gradidge, who everyone describes as ‘huge’ or ‘massive’, started wearing an earring in 1955 and ‘longed to be a Teddy boy’, donning the uniform drape jacket, sideburns, tight trousers and suede brothel-creepers and devoting himself to rock’n’roll.