Categories
pubs

New Pubs and Old Favourites #2: The Cat’s Back, Wandsworth

The last pub was Jess’s discovery; this one was Ray’s. He visited with The Ring last October and we finally got there together in deep December.

All around it are colossal blocks of flats with lots of lights but apparently little life, so that the pub seems almost like a joke, or a contrivance by developers.

The windows glow softly, not throwing light out but guarding it, like a flame cupped in the hands.

It’s a Harvey’s pub – “A back-up Royal Oak,” we said, only half joking. It really does feel like its sister at Borough, only with a little less personality. The clientele seems similar, too: strong London accents and nicotine-stained knuckles, with a raspberry ripple swirl of public school vowels and college scarves.

The Cat's Back -- pub frontage.

Is this the kind of pub, we wondered, that survives through the custom of people who have become accidentally wealthy as their objectively quite unremarkable houses in London stock brick have rocketed in value? People who have always lived here, who miss how it used to be, and cling to the pub – this nail house – as part of their identity as ordinary Londoners?

Ah, what do we know, but it’s fun to ponder.

Old Ale illuminates the concept of best mild without saying a word. Cask Christmas Ale, headless and sherrified, says something about beer’s capacity to be both humble and grand. Wise beer, Harvey’s.

“We should start a podcast,” says one of the staff to some friends leaning on the bar and as they expand on the idea, laughter overtakes them.

Someone explains a complicated conspiracy theory to an uninterested friend.

An elderly woman sits alone, ignoring her paperback, eyes shimmering at some happy memory, or maybe a sad one.

A dark velvet curtain ripples in a persistent draft.

Categories
pubs real ale

Chainpub Encounter

Our mission to visit every pub in Bristol means we’re going to interesting places we might otherwise give a miss, like The Old Post Office in Fishponds.

It looks, sounds, smells and acts like a branch of Wetherspoon, but isn’t, which is fascinating to us. It’s clearly part of a chain but unlike JDW pubs the brand isn’t blazoned on the building’s front or mentioned anywhere else that we could see.

“This is a daft question but… which chain is this pub part of?” we asked the person who was serving us.

“It’s not Wetherspoon’s,” they replied instinctively, even though that wasn’t what we’d asked. “Everyone thinks that but it’s actually part of a company called Stonegate. I’d never heard of them until I started working here but it turns out they’re huge. Great to work for, too — fantastic benefits and training.” (All this offered freely and apparently sincerely without any additional prompting.)

It’s true — Stonegate is a big company, running almost 700 pubs and bars from behind the cover of several well-known brands such as Yates’s, and Slug & Lettuce. The Old Post Office is part of their Proper Pubs sub-brand: “Our Proper Pubs are the perfect place to enjoy a quiet drink, grab a mid-week bite, get together at the weekend or enjoy the best sports coverage around.”

The pub itself isn’t lovely — too plastic for our taste, lacking even the distinctiveness of decor Wetherspoon pubs generally shoot for, even if they don’t always score. Nonetheless, it was absolutely crammed with families sharing meals, and groups of football fans arranged in various odd ways around their tables so that they could see the TV screens. It felt, as the cliche goes, like a pub truly serving its community — buzzy and informal, but smart with it.

The beer range wasn’t as titillating as a typical Spoons either with a smaller range of interesting bottled beers and no novelty guest ales. Instead, there were five pumps for Sharp’s Doom Bar, Fuller’s ESB, Harvey’s Sussex Best, London Pride and Wadworth 6X, with the last two tagged as Coming Soon. If you’re going to have a line-up of old-school brown beers, though, Harvey’s and ESB are good choices — enough to get us a little bit excited, anyway. Sussex Best wasn’t quite at its most thrilling but was still very good — quirky, dry, a little leafy — but the ESB… Well, that’s where we had a problem.

The member of staff who pulled it saw at once that it wasn’t right, forming no head at all. “It might be the glass,” they said, and tried with another. This time, it was not only flat but also hazy, and obviously so.

“Don’t worry, just make it two Sussex Best instead.”

But at this point what we assume was a manager got involved, apparently the final arbiter of whether a beer is off or otherwise. He said firmly, even sternly, “No, it’s meant to be like that,” and rushed away.

Now we know, and you know, that ESB is not meant to be hazy or headless, but the member of staff pouring the beer had clearly been put in a tricky position. So, chalking it up to experience, we broke the deadlock and agreed to take it, bearing in mind that it seemed to be a mere £2.40 a pint and, cosmetics aside, tasted acceptable, if a touch sweet and subdued.

Sitting outside on the patio watching the traffic go by we couldn’t help compare this experience to our recent experiences in Wetherspoon pubs, where the slightest complaint seems to trigger a full apology and a replacement without hesitation. We wouldn’t want to draw any conclusions based on one visit to a Stonegate Spoonsalike, and one fumbled transaction, but it’s certainly a first mark on the scorecard.

Disclosure: we sold a copy of 20th Century Pub to someone who works at Stonegate the other day.

Categories
beer reviews bottled beer

Yarrow, Alecost and Nightmares

Old illustration of yarrow leaves.
Yarrow leaves. SOURCE: Köhler’s Medicinal Plants, 1887, via Biodeversity Library.

I’m all about Harvey’s at the moment. It’s all I wanted to drink in London the other week, and about all I’m interested in drinking now we’re back in Penzance.

Last night, I pulled something of theirs from the back of the stash that, somehow, I’ve never got round to tasting before even though we got several bottles as part of a mixed case last year: Priory Ale.

This beer isn’t on sale anymore but think of this as general commentary on beer with weird herbs rather than as a review and it might have some use.

It’s 6% — a bit indulgent for a school night but not madly so — but the kick is in the small print. It was released in 2014 to mark the 750th anniversary of the Battle of Lewes and was ‘brewed using ingredients that were available to the Cluniac Order at the Priory of St. Pancras in 1264’. The mash included barley, oats and wheat and it was boiled with both hops and yarrow. It was then dry-herbed with alecost, rosemary and thyme during fermentation.

I can’t lie — on reading the blurb, my first thought was, ‘Uh-oh.’ Thyme and rosemary don’t really work in beer, or at least I haven’t yet acquired the taste, making everything a seem bit sickly and savoury.

On tasting it, my first thought was of medicinal shampoo, then of cough sweets, which I guess must mean some memory of menthol firing in my brain. Alecost is sometimes known by the name ‘Mary’s mint’ or variations thereon so perhaps that’s what I was picking up? The rosemary and thyme rose up as the beer went on, overriding everything by the end, like some kind of cotton bag you might hang in a wardrobe to give your bonnets a pleasant fragraunce. Or a leg of lamb.

Most disappointingly from my point of view, it lacked that distinctive Harvey’s character on which I am hooked.

It was not a relaxing beer. Being kind, I’d say it was stimulating, but maybe nerve-jangling is more honest. It put me on edge. ‘I think this is going to give me nightmares,’ I said on turning in.

And do you know, something certainly did.

Categories
bottled beer

Q&A: Which Classics Might I Have Missed?

“I was drinking a bottle of Proper Job yesterday and thinking about how I only started buying it after reading your blog. Later, I drank some Beavertown Gamma Ray and Magic Rock Cannonball and wondered if, by drinking fancy craft beers usually modelled on American style, I was missing something. Can you recommend any perennial British beers, the kind of thing you perhaps take for granted but that might have been overlooked by people who’ve only come to love beer since craft really took off?”* — Brendan, Leeds

That’s an interesting question and, let’s face it, exactly the kind of thing we semi-professional beer bores dream of being asked.

To prevent ourselves going on for 5,000 words we’re going to set a limit of five beers, and stick to those available in bottles, although we’ll mention where there’s a cask version and if it’s better. We’re also going to avoid the temptation to list historically significant beers that we don’t actually like all that much — those listed below are beers we buy regularly and actually enjoy drinking.

Four strong Harvey's bottled beers.

1. Harvey’s Imperial Extra Stout is a big, intimidatingly flavoursome, heavy metal tour of a beer that makes a lot of trendier interpretations look tame. It was first brewed in the 1990s to a historically inspired recipe. We didn’t used to like it — it was too intense for us, and some people reckon it smells too funky– but now, it’s kind of a benchmark: if your experimental £22 a bottle limited edition imperial stout doesn’t taste madder and/or better than this, why are you wasting our time? It’s available from Harvey’s own web store.

Categories
Generalisations about beer culture opinion

Time to Let The Old School Rejoin the Party?

This is an interesting Tweet from Matt Curtis who is currently doing some shifts in a pub:

One of our friends springs to mind: he likes bitter, hates ‘that grapefruit thing’ and struggles to find anything he fancies drinking in places like The Craft Beer Co, despite its vast range. He has lately taken to putting his foot down and insisting on meeting in pubs with at least one old-school, brown, balanced beer.

So, yes, we reckon pubs or bars with a craft identity (def 2.) perhaps ought to take account of this potential market.

Of course many already do, often looking to craft breweries (again, def. 2 — founded since about 2005, graffiti on their pump-clips, etc.) to provide something a bit like bitter but with more pizazz — Amber or Red are the usual codewords.

But maybe that’s misguided.

Maybe instead everyone should just acknowledge that the best old-school bitters are made by old-school breweries who have been doing it for 30, 40, 100 or more years, and embrace them.

Fuller's vinyl-record beer mat, 1956.
Fuller’s jumping on the pop music bandwagon in 1956. Needs to be resurrected!

Five years or so ago the sight of, say, a Black Sheep or Timothy Taylor Landlord pump in a would-be trendy post-gastro, pre-craft pub would have made us groan. Too many times we paid over the odds for something stale, warm and headless served in something like an IKEA tumbler. So pointedly not serving those beers, or London Pride, or Butcombe Bitter, was a good way for Proper Craft places to signal their intent: there’s no Peroni here, only Camden Hells; we don’t have Guinness, try this Thornbridge stout; and we certainly don’t sell any of The Usual Suspect boring brown bitters. Then, that made sense. Then, we welcomed it.

But now, that point doesn’t need hammering home and so perhaps it’s time to let Fuller’s, Taylor’s, Harvey’s, Hook Norton (def. 1) et al back into the party.

We’d be quite happy to see London Pride, Landlord or Sussex Best, in really top condition, as part of the offer at the Craft Beer Company.

Or at a BrewDog bar.

[Exit left, pelted with tomatoes.]