It can be hard to get into the headspace of people in the past but here’s a nugget that reveals attitudes to different types of beer, and different measures, in the mid-1960s.
It’s a letter by H.C.G. Sloane to A Monthly Bulletin, a brewing trade publication, published in June 1966:
In this age of alleged democracy and an apparent tendency to throw convention to the winds, it is surprising to hear that two customers dining in an old hotel restaurant were refused “two pints of best bitter”. Pints of bitter were not served because they “lowered the tone” of the hotel.
So far, so familiar – as we covered in Brew Britannia, refusal to serve pints has become embedded as an indicator of an establishment that wishes to set itself apart from, and of course above, the bog standard boozer. Bristol has a couple of such places.
It seems that we must come to terms with the fact that, rather than becoming anachronisms, petty snobbery and the status symbol may yet extend and widen the possibilities of the absurd.
Well, it’s true that beer has got complicated with all those tribes and symbols and laws of etiquette.
Beer will, if this happens, probably be associated only with shabby taprooms, cloth caps, and newspaper-wrapped fish and chips. Already one is beginning to feel less plebeian when asking for “keg” rather than “bitter”; or a lager instead of a light ale. It sounds nicer, somehow, and more sophisticated.
This is something we keep coming back to – how did lager go from being, in 1966, the classy product you ordered when you felt a little fancy to, by the late 1980s, riot fuel?
The New Age bartender may look askance should one inadvertently demand a glass of mild instead of a beaker of bland.
No, the correct term is “dark ale”.
A “mixed” may in future be called a blend.
An ignorant saloon bar customer might even ostracised (or banned from using the premises) should he refer to his favourite tipple as brown ale – once the colour has changed to beige.
Wrong – instead, it’s almost extinct, and two rare survivors are ordered by brand name.
Overall, Sloane got it right – though never entirely as classless and simple as some romantics would have you believe, beer has become increasingly complex, stratified and laden with meaning.
But things have also been pretty well swirled about, too.
Is a dimple mug of Black Sheep Bitter posh, or plebeian? It depends where you drink it and whether it’s accompanying a packet of scratchings or a plate of gnocchi.
A peek behind the scenes: why are we suddenly looking at A Monthly Bulletin again? Because we had a really thorough tidy up of what we jokingly call The Arthur Millard Memorial Library – that is, our boxroom – and having got rid of a load of books and organised the rest, we’ve rediscovered lots of stuff that we forgot we had. It’s easy to dip into something before bed or in the morning before work and AMB in particular is especially dippable.
More lager, daintier glassware, beer at the dinner table… These were some of the predictions made by brewing scientist Herbert Lloyd Hind in a talk given to a meeting of Scottish brewers on Burns Day 1924.
As everyone knows, making predictions is a mug’s game, but Mr Hind, as you’ll see, did pretty well.
1. Beer must get prettier
“The days are past when meals could be eaten from wooden bowls, and the days of the old pint pot are numbered. There was nothing like the pewter pot when it was necessary to hide the drink from the eye to make its consumption possible. Developing taste demands that food be served with greater delicacy, and that beer be offered in shining glass which sets off its attractive sparkle and condition to the utmost, and under conditions in which it has nothing to suffer when compared to champagne, or dark red wine.”
This might seem like a pre-echo of the so-called ‘winification of beer’ — more an aspiration than a reflection of reality — but think about how beer has been presented in the last century: glass became the norm, and even quite ordinary commodity beers have their own branded glassware and prescribed pouring methods.
Hind goes on to argue that British beer suffers in beauty contests because it lacks the substantial, stable foam of the Continental rivals. Which brings us to…
2. More lager, and a drift away from ale
In this country beer drinkers have become so wedded to the flavour of top fermentation beer that they prefer it, and in many cases express dislike for lager. The great majority, however, of those who decry lager have never tasted it as it should be, and generally say they do not like such thin stuff, ignoring the fact that such a description does not apply to good lager any more than it does to good English beer.
Hind was cautious on lager but essentially called it: tastes can change, he argued — British drinkers had already ditched “that acid beer that used to have a great sale in several districts” — and Denmark was an example of a country similar in climate to Britain where lager had ousted top-fermented beer.
In fact, he pointed out, Britain was the oddity in having not embraced lager, and that perhaps the decrease in beer consumption in Britain could be put down to the fact that brewers weren’t giving people beer they wanted to drink:
[Those] countries showing an increase [in beer consumption] were all lager-drinking countries, or countries where lager was gradually ousting top fermentation beers. If there is anything in this argument it must follow that lager is better than ale
He certainly got this right, anyway: Britain did eventually embrace lager, and in a big way. Only now in the 21st century is there any evidence of re-balancing.
3. Cleaner, more stable beer
Typical characteristics of British beers are their hop aroma and the flavours produced by secondary fermentation. Chilling, filtration and pasteurisation tend to remove these very much-desired flavours, so that chilled and filtered beer generally suffers in comparison with naturally conditioned beer.
This is particularly astute and sets up a debate that would dominate the following century: how do we retain the essential character of British beer while also taming it for ease of production, distribution and dispense?
Hind goes on to argue that the British beer ought to be fermented with pure yeast strains — that it was time to do away with the superstition and sentiment around English brewing yeast:
[The] sweeping condemnation some times passed on any suggestion to adapt pure yeast to English conditions is not justified. The only trials I know of were made many years ago and in connection with beers whose distinctive palate depended on a secondary fermentation. This distinctive Burton flavour I have seen produced in beers as different from normal Burton beers as bottom-fermented stout by an inoculation in the bottle of pure cultures of Bretannomyces, as its discoverer, Clausen, called the particular Torula employed. Conditions are now entirely altered. Secondary fermentation in far the greater number of breweries is a thing of the past, and the desideratum now is to prevent the development of secondary yeast. Under conditions such as these, surely it is time to reopen the investigation and endeavour to put fermentation on a sounder and more certain basis.
4. Traditional English methods don’t work for session ales
I think it will be admitted on all hands that the typical English naturally matured pale ales left very little to be desired. They had a delightful appetising flavour, and poured from the bottle with beautiful appearance and condition. The cask beers of similar type were also excellent, but lower gravities have been forced upon us, and the tendency towards a lighter kind of beer seems so definite that it is hardly likely that there will be any return to the old style. Endeavours to brew these lighter beers on the old lines are not altogether a success, as is evidenced by the amount of beer on the market lacking in brilliance or condition.
This is some controversial stuff, or at least seems that way from this side of the real ale revolution of the 1970s.
It’s become a point of faith that British brewing methods are particularly well suited to producing low ABV beers, adding complexity to make up for the lack of oomph.
The answer to this contradiction — the desire for beers to be both lighter and cleaner — is, Hind argues, to adopt lager brewing methods even for beers that aren’t presented as lager.
Which is exactly what, for example, Thornbridge does, using lager yeast for its packaged products and traditional ale yeast for casks. (At least this is what we think Rob Lovatt, Thornbridge head brewer, told us in a pub about four years ago.)
Even though our methods of manufacture were ideal, there is no possibility of the invariable appearance of the beer in the customer’s glass in condition that will satisfy a connoisseur, or even a man with ordinary standards of taste and perception. The methods of retail are hopelessly out of date. Though the brewers do all that is humanly possible, there are all too many chances of the beer being ruined in the publican’s cellar or at the bar… While bars are fitted with the usual types of pumps, and unlimited air is allowed to pass into casks, flattening and destroying the flavour of the beer, how can it be expected that beer will serve well to the end of the cask ? The possibilities which are offered in this direction by compressed CO2 collected in the brewery have hardly been explored at all in this country…
He really nailed this one.
Almost a hundred years later the same conversation is still going, keg bitter having arrived then retreated, while gas remains the key flashpoint in Britain’s beer culture wars.
It’s all about quality, everyone agrees, and cask ale at point of service doesn’t always make a good showing for itself. “Look after it better!” say the purists; “Reduce the opportunity for user error!” answer the pragmatists.
Meanwhile, most people carry on drinking lager, oblivious and uninterested.
* * *
Hind’s predictions are interesting because they’re not outlandish — robot bartenders! Powdered beer! — but careful, based on observation, and on a knowledge of things already afoot in the beer industry in the UK, and especially abroad.
It would be interesting to read similar papers from brewers active in 2018.
In the early 1970s no-one was buying Younger’s Tartan keg bitter which meant it kept sitting around in pubs until it went bad. The brewery’s response? Mix it it back in and send it out again.
This story leapt out at us from the pages of a new acquisition for our library, Good Company: the story of Scottish & Newcastle, written by Berry Ritchie and published in 1999. As is the case with many brewery official histories the most interesting stuff isn’t the wigs and genealogy in the opening chapters, it’s the material on the post-WWII period. That’s because there were people around who remembered the events well but at the same time were no longer obliged to toe a corporate line because they were retired; and plenty of surviving paperwork, too. This passage, covering a vague period from around 1970 until the middle of the decade, seems remarkably frank:
Unfortunately, the popularity of Tartan turned out to be less than robust. Compared to English bitters, it was on the sweet side; the post-war baby-boomers to whom [board member Tim] Lewis had appealed so successfully liked this to begin with, but as their palates matured, they switched back to more traditional southern bitters. The big swallowers in the Midlands were never keen; Scottish & Newcastle’s salesmen made huge efforts to get its kegs into the large working-men’s clubs in and around Birmingham, only to see them thrown out again after a month or so.
Worse than that, falling sales resulted in many tapped kegs being left on sale for too long, so their contents went off. That meant returns, which had to be sent all the way back to Edinburgh, because that was where Customs and Excise checked they were were bad enough to warrant a refund of duty. If not, the rejected beer had to be reblended, which did nothing for the flavour of the new brews. So much returned Tartan had to be recycled that it began to affect the reputation of the group’s premium beers.
Isn’t it amazing that this, which reads like CAMRA propaganda, is from a brewery sponsored publication? It’s funny to think, too, that ‘it’s all slops’ was for so long a standard criticism of cask ale, and mild in particular, when in fact the supposedly clean, space-age keg bitter was subject to just the same commercial pressures.
When people talk about the dangerous influence of ‘accountants’ on the quality of beer it’s just this kind of thing they have in mind. Why ‘had’? They could presumably have just written off the duty payments and thrown the bad beer away. The decision to do otherwise seems remarkably short-termist but perhaps — very likely, in fact — at these volumes, on tight margins, the choice was between this or going immediately bust, or being taken over.
We’d like to think this kind of thing doesn’t go on so much today but with beer duty being yet higher than the 1970s we wouldn’t be surprised to find some 21st Century variant in play.
Funnily enough, Ron Pattinson has just posted about the use of ‘reprocessed beer’ at Younger’s in this periodwith reference to some archive paperwork. That makes us wonder if perhaps, rather than being mixed with itself, the comparatively light, bland Tartan was hidden in the folds of dark, even sweeter stout and brown ale where it would be harder to spot.
It’s also interesting, by the way, to see further confirmation of the idea that Midlands drinkers in particular were considered to have different tastes, as did young and older drinkers. We can’t help but think again of those soft, sweet New England IPAs.
For the ObserverMagazine published on 7 July 1968, Cyril Ray (who we wrote about yesterday) assembled a crack team to taste beer.
The tone of the feature as a whole is a little uncertain: Mr Ray’s text argues that beer is really worthy of respect only to be undercut by an illustration (Watney’s pale in a wine basket) and sub-headline (borrowed for this post) which suggest there is something faintly ridiculous in the exercise.
Because he didn’t think it would be fair to ask professional tasters from brewery quality control departments to take part, he recruited Michael Broadbent, head of the wine department at Christie’s auctioneers, and Douglas Young, a professional tea-taster.
Michal Broadbent learned after a couple of lagers… to taste in mouthfuls rather than in his customary sips, realising that beer is meant to be quaffed, and that this is how it best shows its character. Douglas Young was soon isolating specific characteristics of each beer, and asking the brewer who looked after us, in Whitbread’s hospitable tasting-room, for the brewers’ phraseology with which to define them.
There’s one beer more than any other that we would like to be able to taste for ourselves: Watney’s Red.
We know it was terrible — we don’t doubt what we’ve been told by numerous people who were unlucky enough to taste it, including a former Watney’s PR man — but, like people who flock to watch The Room or Plan 9 From Outer Space, we are morbidly curious.
Note that we have specified Watney’sRed, not Watney’s RedBarrel. The latter had a bad reputation, but it was probably the former, launched in 1971, which really brought the wrath of beer geeks and triggered the ‘good beer movement’. It wasn’t merely a rebrand but a complete reformulation, with a nastier, cheaper recipe that produced a yet sweeter, fizzier beer.
We are hoping that, to coincide with our book launch, we can convince someone to brew us a clone, and the marketing people at Aurum Press liked that idea, so fingers crossed. At any rate, we’ll definitely give it a go at home using mini kegs and Co2 bulbs.
But first things first: what was the recipe? Here’s what we know.
A press statement for Red issued in 1971 (according to Roger Protz) described the beer as having a ‘blander taste and a better head’.
In his 1973 book The Beer Drinker’s Companion Frank Baillie described Red as ‘a well balanced keg beer with a burnt malty characteristic’.
From correspondence with one former Watney’s production brewer, we know that Red ‘probably… used raw barley and added enzymes’, unlike Red Barrel.
Dave Line claimed in his book Brewing Beers Like Those You Buy (1978) to have been given full details of many recipes by brewers; he does not give a recipe for Red, but his other Watney’s bitter recipes (for ‘Special’ and Starlight) use Fuggles hops.
In April 1972, Which? magazine gave an original gravity (OG) of 1037.9 and an ABV of 3.67%. The Daily Mirror of 10 July 1972 had 1037.2 and 3.6%. When CAMRA tested it a couple of years later, they got 1037.8 and 3.4%.
Does anyone have any other sources they can point us to?
(And we don’t mean modern home brew recipes based on guesswork, which is in turn based on the memories of a friendly CAMRA member….)
On the advice of Steve ‘The Beer Justice’ Williams, we emailed Dr Kenneth Thomas who looks after the Courage archive where man of Watney’s records ended up. He told us:
[Although] I found extensive records still at the Truman brewery in Brick Lane, and at the former Mann’s brewery in Whitechapel, the former archives of Watney’s had, in the early 1980s, already been deposited on indefinite loan at either the London Metropolitan Archive in Clerkenwell, or at the City of Westminster Record Office in Victoria… So, if any brewing recipes exist for Watney’s Red, they will be somewhere within the collections either at the LMA or Westminster.
We also had another look at that 1972 edition of Which? magazine: their tasting panel observed that Tankard was paler and ‘fizzier’ than Red, and Red was by far the darkest of the beers sampled.
Taking the time to drink bad beer is a useful way to calibrate the tastebuds, correct your perspective, and stimulate the tastebuds. Sometimes, it’s just about reminding yourself that bad beer is still beer and won’t kill you.
In this post, Ghost Drinker exposes a guilty secret: many bloggers and writers use Carlsberg Special Brew as shorthand for the worst type of strong-and-nasty ‘tramp brew’, despite never having tried it. (As adults, at least.) We’ve got two choices: get a can and give it a go, or stop referring to it. We’re inclined towards the latter. After all, we’ve always got Warka Strong to fall back on.
On a similar note, Gareth at Beer Advice points out how odd it is that a beer that ceased production in the 1970s, before many beer bloggers were born, remains one of the most talked about — that is, Watney’s infamous Red Barrel, the bogeyman of bad British bitter.
Red Barrel was (we think) renamed just ‘Red’ in around 1971. Frank Baillie’s Beer Drinker’s Companion (1973) describes Red as a ‘well balanced keg beer with a burnt malty characteristic’; and the analysis in this 1972 Daily Mirror article (via Ron Pattinson’s blog) suggest a respectable strength of c.3.6% abv — not as shockingly weak as we’d imagined from reading one polemic or another.
Does anyone who’s old enough to remember drinking Red Barrel want to suggest a beer available today that might give us an idea of its flavour and character? Maybe you even have some antique tasting notes in a crumbling notebook? Or perhaps we’ve already been there with our John Smith’s Extra Smooth experiments?
Maybe we’ll just brew a batch, if we can find a convincing recipe.
In the past, we’ve been guilty of sniping at specific beers that annoy us with their blandness, but we now think that’s probably the wrong thing to fret over.
In April 1972, consumer magazine Which? surveyed the most popular keg bitters on the British market.
…none smelled very strongly in the glass — none was either unpleasant or very pleasant. As far as taste went, the overwhelming impression of our tasters was that none of the keg bitters had any very characteristic taste… we also carried out a standard laboratory test for hop — bitterness. These results confirmed how similar the keg beers were.
The problem here is the similarity between the products.
What we, as consumers, need to be wary of is a homogeneous market which offers us no real choice. Bland keg bitters might not be to your taste, but it’s no bad thing that they exist as part of a varied landscape which also includes stronger, darker, lighter, more flowery, lagered, Belgian, American and downright wacky beers.
We haven’t yet seen an original copy of Which? from April 1972 but, fortunately, Christopher Hutt quotes from this article at length in his The Death of the English Pub (1973).