News, Nuggets & Longreads 21 July 2018: Films, Maps, Infographics

Here’s everything about beer and pubs that grabbed our attention in the past seven days, from SIBA to Ales by Mail.

First, an interesting nugget of news: a few months ago, SIBA’s members rejected a bid by leadership to make room in the organisation for larger breweries; now, rather on the quiet, the membership has been overruled. One SIBA member contacted us to express disappointment, but also resignation, and relief that at least it didn’t seem to be causing a huge row: “SIBA needs a period of calm and a sense of business as usual.” Steve Dunkley at Beer Nouveau, meanwhile, offers commentary from a small brewer’s perspective:

SIBA is repositioning itself to include, and be funded, by bigger breweries, at the expense of the smaller ones. It’s setting its stall out to campaign for tax breaks for large companies, at the expense of smaller ones.  It claims to be the voice of Independent British Brewing, yet running the very real risk of closing down a lot of its small members, driving away a lot more, and not attracting even more. SIBA has around 830 members, less than half of the almost 2,000 British breweries there were in 2016, yet still claims to be the voice of the industry. It states itself that the majority of its members produce less than 1,000hl, yet its actions don’t represent them.

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Thought for the Day: SIBA & the Family Brewers

St Austell Brewery.

Last week SIBA members voted not to permit larger independent brewers to join as full members, against the urging of SIBA’s leadership. And we reckon, well, fair enough.

Yes, family brewers are an endangered species and worth preserving. Fuller’s and St Austell are fine breweries whose beer we generally love, and a different breed from Greene King and Marston’s. They’re certainly a million miles from AB-InBev and are ‘goodies’ in the grand scheme of things. (Disclosure: we’ve had occasional hospitality from St Austell over the years.)

At the same time, Fuller’s and St Austell already have significant advantages over genuinely small breweries, not least estates of pubs which those small brewers are effectively locked out of. They also have national brands, and apparently substantial marketing budgets.

If we ran a really small brewery and were struggling every day to keep our heads above water, competing for free trade accounts and scrambling for every last sale, we’d be pretty pissed off at the idea of those two breweries muscling in on what little benefit SIBA membership seems to bring.

And much as we admire Fuller’s and St Austell we don’t think either is perfectly cuddly. If they were keen to join SIBA as full members it was probably out of a (entirely reasonable) desire to secure some further commercial advantage. If we’re wrong, if we’re being too cynical and it was simply a matter of longing to belong, then they clearly have more work to do getting that message across.

Helping those small brewers to sell a bit more beer, without strings attached, would probably be the most directly convincing way to go about it.

Further Reading

News, Nuggets & Longreads 17 March 2018: London Drinkers & Bristol Dockers

Here’s everything that grabbed our attention in the past week in the world of beer and pubs, from beer festivals to Friday skiving.

From Roger Protz comes a reflection on the London Drinker beer festival which has been organised by north London Campaign for Real Ale activists annually since 1985, but which this year is sadly winding up:

It’s not because the festival lacks success. On the contrary, it’s one of CAMRA’s longest running and most successful events. But the Camden Centre is due to be knocked down and redeveloped and finding – and affording – a replacement venue is difficult if not impossible….

As interesting as the news itself, though, is Roger’s account of pioneering the very concept of tasting notes in the 1980s, and being jeered at for daring to suggest that there might be chocolate notes in a dark beer.


Illustration: fanzine style picture of a pint and a packet of crisps.

Phil at Oh Good Ale seems to have found an interesting voice lately — a sort of stream of consciousness that coalesces into commentary if you let it. This week he wrote with some panache about the passing culture of Friday lunchtime pints:

1983, Chester

I knew we were on when I saw Tom going back for a pudding. Most days, we’d clock out at lunchtime, go to the canteen for something to eat – a hot meal served with plates and cutlery, none of your rubbish – and then it’d be down the Cestrian for a pint or two, or three…. On this particular Friday Tom went back to get some apple crumble and custard, which he ate with great relish and without any appearance of watching the time, heartily recommending it to the rest of us; a couple of people actually followed his lead. Then he looked at his watch with some ostentation and led the way out of the canteen…. It wasn’t a 15-minute weekday session or a standard 45-minute Friday session; that Friday, we were on.

Continue reading “News, Nuggets & Longreads 17 March 2018: London Drinkers & Bristol Dockers”

News, Nuggets & Longreads 10 March 2018: Lemondrop, Brewdog, Hardknott

Here’s all the writing about beer and pubs that leapt out at us in the past seven days, covering everything from Pink IPA to Gothenburgs.

First, a blast of pure raving enthusiasm to cheer everyone up as Steve The Pour Fool Body waxes lyrical about the “new rock-star flower-bomb” hop variety that “makes your beer taste like LemonHeads candy”. It sounds good; we want to try it.


Illustration: "No! Bad dog."

Now on to the problem story of the week, BrewDog’s Pink IPA. We considered providing a round-up of all the ‘hot takes’ but decided instead to point to one really substantial, thoughtful post by Oli (@CraftBeerCommie) guest posting at Craft Queer. It expresses a counter view to ours (“the idea itself doesn’t seem so dreadful even if the execution is terribly clumsy”) and puts this specific incident into a broader context of BrewDog’s behaviour over the years:

Brewdog as a company has a long history of misunderstanding (some might be so bold as to say abusing) social commentary as a marketing tool…. [In] the company’s earlier years, the bad humoured, unapologetically offensive tone and actions of the company’s founder-owners was able to shelter beneath the veil of an appropriated revolutionary language and DIY punk ideology…. After this, however, it seems that, as with so many other companies, Brewdog intentionally courts controversy as a means of marketing itself. The search for an initial, perhaps viral reaction of offence before the secondary “A-ha! Here’s the punchline” is yet again delivered in a manner that relies as much on customer enragement as it does engagement.

For more on this subject check out Alcohol by Volume where the opinions of women in and adjacent to the beer industry have been collated.

Continue reading “News, Nuggets & Longreads 10 March 2018: Lemondrop, Brewdog, Hardknott”

News, Nuggets & Longreads 10 February 2018: Lancashire, Lager, Lambic

Here’s everything on the subject of beer and pubs that grabbed our attention in the past week, from northern pubs to northern clubs via Belgium.

First up, a post from Katie at The Snap & The Hiss which offers some insight from behind the bar into what pubgoers really want to drink, and how they feel about being confronted by a world of choice:

Marketing a product to people who already love that product is about trends and loyalty and surprises. Finding new fans is a more difficult endeavour, especially if you’re so far down your own rabbit hole that you don’t know what they don’t know. A large percentage of drinkers aren’t invested in the breweries you care about/you are. Many people don’t understand what they’re buying. A lot of drinkers aren’t actually sure what the difference is between cask and keg. And yes – some drinkers, to our constant unfair derision – truly believe that cloudy beers are off. It’s time to admit it: we’re answering the wrong questions about beer.


Four brewers.

Will Hawkes, one of the few bona fide nose-poking journalists working in beer, sniffed out the story that Mahrs of Bamberg was opening a brewery in London. Now, for Imbibe, he has all the fascinating details, including the fact that the brewery is now called Braybrooke Beer Co and actually ended up in Northamptonshire:

It’s the result of a collaboration between restaurateurs Luke Wilson and Cameron Emirali, who run 10 Greek Street, distributor Nick Trower of Biercraft and Stephan Michel, the owner of Mahr’s Bräu, the craft-beer world’s favourite traditional German brewery…. The result is a kellerbier, an unfiltered and unpasteurised amber lager inspired by Mahr’s world-renowned ‘Ungespundet’ (known as ‘U’). It’ll be made with German malt and hops, fermented with Mahr’s yeast, and brewed in the traditional way, including a single decoction step and four weeks’ lagering.


Vintage SIBA sign on a pub in London.

If you’re interested in the non-sexy behind-the-scenes business of the beer industry then this post from brewer Steve Dunkley of Beer Nouveau offers an interesting take on moves by the Society of Independent Brewers (SIBA) into distribution and wholesaling, and its deepening connections with pub companies:

SIBA have created an expensive box-ticking exercise that replicates what breweries already have to do legally. They’ve removed a route to market for non-members, are taking money from PubCos intent on dropping cask from local breweries, and are risking further reducing choice for drinkers whilst also increasing profits for PubCos at the expense of brewers and drinkers alike…. I really can’t see how they can claim to represent the interests of independent breweries, and I can’t see how CAMRA can continue to use Flying Firkin [which SIBA recently acquired] as a recommended wholesaler whilst it runs the very real and emerging risk of reducing consumer choice.


Collage: a fractured pub.

This week saw the release of statistics from the British Beer and Pub Association (BBPA) suggesting that though beer consumption overall is up, sales of beer in pubs and bars (the on-trade) was down by 2.4% based on the previous year, equating to some 88 million fewer pints. Tandleman has some thoughts here: “For those with jobs and ‘just about managing’, choosing to drink cheap beer at home as pub prices increase on those already wage squeezed, is rapidly becoming a no brainer.”

(We’ve said similar ourselves: the problem is that nobody has any money!)


Illustration: lambic blending.

For Beer Advocate Gail Ann Williams and Steve Shapiro offer a portrait of a new wave Belgian ‘nano-blendery’. As well as a discussion of the cultural significance of a new blendery charging what by Belgian standards are eye-watering prices for challenging products (cinnamon Framboos!) it’s also full of interesting details on the process:

Souvereyns combines three inoculated wort components for all of his beers, relying on relationships with three Lambic producers: Girardin, Lindemans (in Vlezenbeek), and De Troch (in Wambeek). In particular, he believes the De Troch influence is key to his flavor signature. “De Troch is one of those breweries that is so underrated. The Lambic [it] makes is phenomenal but people only relate that brewery to sweetened products,” he laments, referring to quickly-produced fruit beers which subsidize the old brewery’s limited Oude Gueuze production.

(We’re not quite sure when this piece appeared online but we only noticed it this week.)


We’ll finish with this archive film from the BBC on the boom in northern clubs during the 1960s. It contains lots of shots of foaming pints.