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bristol

The East Bristol Brewery Trail for antisocial gits

The East Bristol Brewery Trail is a wonderful idea but what puts us off is the crowds. So we decided to do our own version on a quiet random weekend.

On the last EBBT weekend, at the start of May, we were in town and observed it from afar.

There were crowds piling up on the pavement around the railway arches near Temple Meads station and herds of tipsy people wandering through the residential streets of the Dings and the industrial estates of St Philips.

The Barley Mow isn’t an official part of the trail but is a handy extra stop and while we were having a pint there a group in their best going-out clothes piled in and ordered gin and multiple bottles of prosecco.

“We’re here for the Brewery Trail,” said one, loudly, “but we don’t even like beer! We just wanted to join in the festivities!”

Now, see, we don’t like festivities. Well, that’s not quite true. But we tend to believe that nothing is worth queuing for more than about three minutes, and that sitting down in a quiet corner is more fun than standing in a jostling mob.

So, last weekend, 1 June, when Bristol was half empty at the end of half term, we decided to trail the breweries of East Bristol, on our own schedule.

The official trail, as set out on the website, is:

  • Arbor
  • Good Chemistry
  • Left Handed Giant
  • Little Martha
  • Moor
  • Wiper & True

On Saturday, though, Arbor was hosting a ticketed event, and Good Chemistry’s taproom wasn’t open.

We considered subbing in Basement Beer but, because it happened to be nearby, went with New Bristol Brewery in St Pauls instead.

New Bristol is pushing hard at the moment with a citywide billboard campaign and its beer popping up all over the place – including in Poole when we were there the other day.

The taproom feels like a proper bar with permanent furniture and a little more atmosphere than is common in these venues.

Our fellow customers included a big party of beefy middle-aged blokes in quietly expensive casual clothes, and some couples who were clearly there for the street food (chicken wings) rather than the beer.

Ray drank the last of a cask of clear golden ale, Starlite, at 3.8%. It was served in a dimple mug and wouldn’t have turned heads at an old skool real ale pub in the late 1990s.

Jess had a 4.6% hazy pale ale with Belgian yeast which worked reasonably well, bringing an extra dimension to a style of beer that doesn’t otherwise float her boat.

The interior of well-appointed modern taproom with large windows, pale wooden furniture, and a big pride flag hanging at the entrance.
The interior of the Wiper & True taproom – quiet, because everyone is outside.

Our next stop was Wiper & True at Old Market. We haven’t generally been huge fans of W&T’s beer although we do really quite like the taproom – and especially its wonderful garden.

There, we found ourselves surrounded by classic 00s hipsters who are now in their forties, with kids. These days, the quiffs and waxed moustaches have gone grey, and the vintage workwear has baby sick on it.

And then the beefy blokes from New Bristol turned up, too, battling for turf with a group of similar looking men apparently on a similar jolly lads outing.

On the table next to us a couple were enjoying Eatchu dumplings washed down with two big glasses of cola, with ice and lemon.

The beers impressed us somewhat on this occasion. Daybreak, a 7% IPA, reminded Ray of Thornbridge Halcyon, a beer we keep meaning to revisit.

And Jess found lots to ponder in Fruit Crumble, a 6% sour beer with a rather pleasing purple hue. In the end, the tasting note was “vanilla and sweat”.

A red and white vintage Citroen 2CV.
We didn’t get a good photo of Left Handed Giant but this was parked just outside.

From there we schlepped to Left Handed Giant’s out-of-town industrial estate taproom. LHG is another brewery that seems to be doing well for itself, with its beers often popping up in pubs and restaurants around the city.

There was a maker’s market on, meaning that the car park was ringed with stalls selling T-shirts, art, jewellery and knick-knacks.

Children and dogs were roaming everywhere, sometimes at speed, sometimes colliding with each other.

Everyone was eating Sri Lankan food.

The beer here was the biggest surprise of the day: Ray had cask golden mild at 3.7% and Jess had So Interesting, an old ale at 6.5%.

Both were utterly and resolutely trad and could easily have passed for the products of a Victorian brewery in the Midlands.

As we were leaving, the beefy blokes were just arriving, now looking quite rosy cheeked. As, no doubt, were we.

A potted cactus on a shelf in front of a corrugated metal wall.
Chipboard and cactus at Little Martha.

The next stop was Little Martha, which we know fairly well, as it’s on our way to the station, so we sometimes pop in before long train journeys.

It’s in a railway arch between a Deliveroo depot and an (excellent) pasty shop and is open throughout the week, being popular with office workers.

We found it fairly quiet inside except for a party of stags who kept bursting into song and breaking out in competitive banter.

At Little Martha, we usually end up drinking the guest beers which are often from tempting out-of-town breweries like Burning Sky.

This time, however, Jess had their lager, Chasing Pulsar, at 4.5%, and was rather impressed. We spent a while trying to work out who’d brewed it for them only to find that, nope, they really had done it themselves.

We’re really getting spoiled for decent lager in Bristol.

The side of the Moor Beer Co building with a huge sign saying "Drink Moor Beer!"
Confession: this is from the archive, from 2019. But it still looks like this.

Finally, we wandered to Moor Beer. It’s refreshingly different, Moor, because of its focus on punk and metal music. Instead of craft beer dads it was all black T-shirted youths and the background throb of heavy guitar music.

Our first round came in plastic glasses which rather ruined the fun. On the second round, which included a third of imperial stout at £5.25, we asked if it might be possible to have it in a grown-up glass, if that wouldn’t break the terms of the licence.

They not only obliged but also gave Ray his lager in a foot-high handled mug that made it taste five times better.

We’d do this crawl again, if only because it nudged us to drink beers we might normally swerve, or miss. And because it helped us understand Bristol a little better.

For more notes on where to drink in Bristol check out our Bristol pub guide.

Categories
bristol

Wiper & True’s Bristol taproom is an urban oasis

Bristol brewery Wiper & True opened a huge new taproom on an industrial estate last summer. One year on, it’s become something of a green marvel.

It’s fairly near where we live but we haven’t been all that often because (a) we still prefer pubs; (b) though we have no particular objection to it, we don’t love W&T beer; and (c) this particular taproom was especially vast and sterile.

On Thursday evening this week, though, we happened to have dinner nearby and needed somewhere to continue the conversation.

“This is a weird place to have a taproom,” said one of our companions as we walked through the security gates near the Lawrence Hill roundabout and past the Royal Mail depot.

Perhaps we’ve got used to the idea but, yes, it is odd, when you think about it, that these dusty, deserted spaces have become the default destination for craft beer drinking. Plastic-wrapped pallets, shuttered factory units, seagulls squawking overhead… It’s a long way from the inns of merry old England.

The first sign that W&T is doing something interesting on this site, though, is the carbon capture tank on proud display on the approach to the brewery. It’s evidence of a commitment to sustainability that goes beyond lip service.

Then, rounding the corner to the entrance, we were stunned by the sight of the beer garden.

It used to be a ‘beer garden’ – a bare yard full of tables. It felt like having a pint in the car park of ASDA.

But now it is a Beer Garden, or at least heading well in that direction. Around the perimeter are tall plants providing a green shield. In the garden between tables, there are loaded beds and planters.

Grasses, shrubs and young trees soften edges, dampen sound and create depth.

This is now a pleasant place to be, like a park or botanical exhibition.

And, of course, it’s turned an expanse of concrete and asphalt back over to nature. In the urban heat island of East Bristol, this is a helpful intervention.

We look forward to seeing it develop in years to come. Because, like free range animals, nothing pleases us more than drinking beer under the shelter of trees.

Categories
breweries pubs

Getting to know Kirkstall Brewery in Leeds

After a week in Leeds, we’ve decided Kirkstall Brewery belongs in the top rank of UK breweries.

What sent us to the brewery tap on our first night in town was, frankly, panic. On a Saturday night, even in these strange times, Leeds city centre is a lively place – all hens, stags and overflowing pubs. The Kirkstall tap was the first place we could find that was (a) open and (b) beyond the Big Night Out circuit, beyond the ring road.

And what a beyond it is – under the concrete of the A58, past casinos and hotels, past wasteland and the derelict remains of the Arla Foods HQ, just before the vast studio where ITV films Emmerdale.

Set into a square-edged modernist building in gleaming black and glass, showcasing stainless steel brewing kit, the tap itself is like an oasis: warm light, warm brown wood and the smell of pizza on the air.

A sort of magic has been worked in the space with greebling and structure magpied from elsewhere. Antique mirrors and enamel signs add depth and a sense of history, set against panelling, screens, stained glass and engraved glass salvaged from long gone buildings.

It feels like a pub. Or maybe more like a German beer hall. Perhaps a touch too bright, perhaps a touch too open, but certainly somewhere that invites you in and makes it hard to leave.

The range of beer is impressive, too, with five cask ales, and eight or nine on keg, as well as a handful of outside brews. The styles available range from traditional (bitter, pilsner, imperial stout) to modern – ice cream sour and blood-orange hefeweizen.

On our first visit, we zeroed in on Kirkstall Pale Ale (bitter, £3.60/pint), Three Swords (pale and hoppy, £3.80/pint) and Pilsner (£4.20/pint). All three share a precision and clarity that says this is a serious brewery with serious quality control.

Pale Ale provides what you want from Tetley’s: somehow both simple and complex, with malt you can get your teeth into, and a finish that makes you sigh with satisfaction. It’s as hoppy as it can be without the hops breaking out and making a fuss. It was the best beer we drank all week, we think, and might be a contender for beer of the year.

Pilsner came a close second, with a fresh green quality that took us back to Franconia.

Three Swords, by comparison, was merely a bloody good example of the type of beer also produced by Saltaire, Ossett and any number of other Yorkshire breweries. But note – bloody good.

You might have rolled your eyes at the mention of ice cream sour above. Well, guess what – that was also a rather brilliant bit of work. It’s called Gelato Tropicale and is one of those rhubarb-and-custard beers: sugar, a touch of acid, lots of vanilla. It prompted a ‘same again’ from Jess.

It wasn’t all perfect. We didn’t enjoy Black Band porter as much as the others. It struck us as a bit harsh with too much coffee and an aggressive bitterness that made getting to the end of the glass a challenge. But we suspect others might love it and it certainly wasn’t badly put together.

On our second visit, the night before we left Leeds, we had to try the 12.4% imperial stout, Drophammer, at £4 for a third of a pint. Our immediate impression was that someone has been playing around with historic Courage Russian Imperial Stout recipes. We were impressed but, still, it prompted some debate: at that strength, at that price, it should be something pretty special, but we weren’t sure it quite reached those heights. Almost, though – almost.

As a side note, it’s worth noting that Stuart Ross, late of Magic Rock, is now brewing at Kirkstall. Not much fuss has been made about this – we picked it up from Twitter – but he’s a brewer who knows what he’s doing.

And another note, while we’re at it: we also drank a couple of Kirkstall beers at Whitelocks, where they tasted similarly fantastic; and at Bundobust in Leeds, where they didn’t. So don’t be surprised if you encounter it at your local and struggle to match our gushing above to your experience. No beer is bulletproof, especially not cask ale.

Disclosure: in 2014, when Brew Britannia was published, Kirkstall brewed a beer for the launch event at North Bar. We didn’t pay them, they didn’t pay us.

Categories
bristol cider

The Cider Box, Bristol

It’s taken us a while to get to the Cider Box, despite walking past it most days.

That’s partly because it’s only open on Friday evenings and Saturdays and partly, if we’re honest, because cider tends to be very much a second choice for us.

But it’s probably our closest active licenced premises and can look quite inviting on a warm evening.

It’s in a railway arch on Silverthorne Lane, next to a mechanic, opposite one of a number of abandoned Victorian industrial buildings.

It’s a short distance from a number of East Bristol tap rooms but in the wrong direction.

The area is going to be the focus of a new industrial heritage conservation area so no doubt in five to ten years, these arches will be full of similar businesses. At the moment, though, it’s pretty quiet, with grey stone walls overlooking a no-through road that’s unfortunately popular with fly tippers.

Most people are on tables outside whenever we’ve been past and on the night of our visit it was no different. Inside, it feels cosier than the average tap room, possibly because of the posters, memorabilia and bubbling bartop carboys that proclaim a real love of cider.

Handwashing advice using the lyrics of 'I Am a Zyder Drinker' by the Wurzels.
Remember this gag from 2020?

In general, the place feels more Bristolian and a little funkier than most of the local craft beer taprooms which, let’s face it, could often be in any other UK or world city.

The music was a mix of Hip Hop Don’t Stop and Abba (this was the day the new album came out) and people with a range of accents, from West Country to Welsh, burst into occasional song.

Beer is available – Lost and Grounded Keller Pils – but this place is really about cider in all its forms.

Some come from the tap, brisk and bright, very much designed to chug without too much reflection. Some are of the bag-in-a-box variety. There is even a ‘Cider Royale’ section of the menu, featuring 750ml sharing bottles.

We kicked off with some kind of own-brand option (from a tap, rather than a bag in the box) which got us firmly in the zone – sweet and faintly rural, not dry enough for our taste, but a good warm up for the taste buds.

Our next two came from Totterdown producers Ganley & Naish. One was advertised as a single variety cider but we’re not sure which variety; it was dry and oaky (and added a great extra note to the own-brand leftovers that Jess was nursing).

Mourning Drop is described on their website as a ‘single orchard’ cider, which seems to mean a bunch of apple varieties. This one was weird – woody, almost fungal.

With just three rounds, we were delivered a reminder of the variety of cider out there to enjoy. Or, at least, to experience.

Every now and then, a bat sliced through the air above our heads, and at one point what looked like a thousand seagulls, illuminated from below by streetlights, scattered across the sky indigo sky. Everyone stared upward and pointed in cider-addled delight.

A vandalised phone box.
When you’ve had a few ciders, you stop to take photos like this.

To finish, we chose a bottle from the fancy bottle section and, boy, did that blow our minds. Pilton One Juice is the result of a project in which five separate makers produce their own cider from the same juice. It was utterly, smile-inducingly delightful. Simultaneously sweet, full-bodied and dry, every mouthful highlighted some new, intense, wonderful flavour.

Perhaps we do love cider after all.

We swayed off home under the railway bridges as Chiquitita echoed off the walls of the old timber yard, chatting excitedly about apples, and very much looking forward to our next visit.

Categories
beer reviews bristol

Walking in a lager wonderland

Baltic porter, Schwarzbier, Helles, Kellerpils, Dunkel, Altbier, Saison, Tripel – Lost & Grounded’s embrace and mastery of Continental beer styles continues to delight us.

For our third round of drinking out since things sort-of reopened on 12 April we went, again, to their taproom about ten minutes from our house. It’s peaceful, well managed and, of course, convenient. That we are developing a crush on the beer doesn’t hurt either.

On this most recent trip, we started with Helles, at 4.4% and £5 a pint. It is still excellent – although perhaps this time it seemed a little softer and more hazy than when we first encountered it a few weeks back.

Long Story, a table beer at 3.2% with pronounced Belgian yeast character, was less successful, with a stale, papery note haunting its tail. But Ray was less bothered by that than Jess; perhaps you’ll love it.

We then moved on to the Schwarzbier, Amplify Your Sound, at 5.2% and £5.50 a pint. Billed simply as ‘dark lager’, you might expect a Dunkel, but this is definitely a degree beyond that – vinyl black, with a coffee-cream head. There is perhaps a passing note of grassy hops but, in the main, this is about the treacly bass notes. Mild without the mud; more well-polished Porsche than Morris Minor.

How often do you see a Baltic porter on offer? We reckon that, for us, it’s been maybe five times in our entire 14-years of beer blogging. So, even if you’re already feeling a bit giddy and 6.8% seems scary, even if it’s £6.50 a pint, you’re obliged by law to order at least a half.

Fortunately, with Running With Spectres (a play on the name of their regular beer Running With Sceptres) Lost & Grounded have nailed it. Rich without being sickly, figgy pudding fruity, it feels like a dignified rebuke to the marshmallow sundae imperial stout merchants. You could also label it ‘double stout’, we reckon – another style that barely exists but which tends to be more warming than intimidating.

Between L&G and Zero Degrees, we’re a little spoiled in Bristol for serious attempts to brew in European styles. But we’d still welcome perhaps one or two more – especially someone who might fancy cloning Jever.